Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.
Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!
Artists: Patrick Zircher, Lan Medina, Reilly Brown
Issues: Cable & Deadpool #19-35
The second massive volume of everyone’s favorite Marvel odd couple, Cable & Deadpool is going to be one of the harder Final Thoughts for me to recount, simply because I read it over the whole last month.
It starts with Issue #19, an epilogue of sorts to their House of M ordeal (which I find weird wasn’t included with the House of M tie-in’s in the first Book), while Issues #28-32 tie in to Civil War. I’m attempting to get better about starting and finishing at least whole story arcs before picking up more series, but some of these long collected volumes are a bit tricky – especially in this case where the stories are more about fun and humor than actually telling a coherent story.
Most major series have at least one major branching story line to along with minor vignettes along the way, but Cable & Deadpool is pretty much only the latter style in this second volume. Ironically my favorite issues were the nearly self-contained one-shots. Issue #19 stars Deadpool taking care of a rapidly re-aging Cable after his dimensional-hopping adventures. This mostly constitutes going to a bar and drinking together, but also includes some surprisingly poignant and rare revelations about Deadpool’s tragic past.
Issue #24 involves a fun match between Deadpool and Spider-Man, with all the verbal smack-talk slinging you can imagine. Issue #25 has Captain America infiltrate Cable’s little utopian project of Providence as a normal citizen, and becomes delighted with what Cable’s built and how he runs things (leading to a nicely logical reason why Cable helps support Cap in Civil War). We also get some fun glimpses into Cable’s dark future, where he wielded Cap’s iconic shield to inspire his own soldiers in the war against Apocalypse.
The other stories are varying degrees of quality, with the only notable importance to the series continuity being Deadpool stealing technology that allows Cable to simulate his lost telekinesis and telepathy. It leads Deadpool to a fun fight against Luke Cage, Iron Fist and the B.A.D. Girls.
With Cable’s ties to Apocalypse, it makes sense that he’d be involved in the “Blood of Apocalypse” storyline that hits the X-Men book around the same time. Issues #26-27, “Born Again,” act as a spiffy, if cheesy prologue to those events as Cable witnesses Pocky Lips’ premature resurrection and we got tons of backstory involving a mullet sporting Cable wielding a sword. It’s alright, and certainly leagues better than the ill-conceived X-Men story.
Unfortunately both the story telling and art gradually start to decline in the later issues. Domino, Cable’s ex-lover and former X-Force compatriot takes center stage in a few issues involving a coup in a made up Eastern European country. She’s not particularly interesting and her character doesn’t seem to have much to do outside of complaining about Cable.
The Civil War tie-ins are also profoundly disappointing. I was hoping to shed some insight in how Cable joins the resistance, but instead I get some pithy fights between Deadpool and the Anti-Reg team. Cable then goes on a round-about way to show Deadpool how wrong he is for the side he’s chosen. That story bleeds over into the next, involving the lame Six-Pack team that showed up in the previous Book attacking Cable’s newly liberated country of Rumekistan and Providence. Cable of course swiftly kicks all their asses.
I still enjoy my time with the dysfunctional duo. Fabian Nicieza’s writing remains funny and enjoyable throughout, and Deadpool is still delightfully hilarious. It’s a shame the series starts turning over artists as it’s definitely not for the better, and I’m hoping Nicieza can find his footing again with telling some more interesting stories.