Marvel Comics Final Thoughts – Iron Man: Haunted

“Haunted” successfully ties plot threads and seeds from Stark’s previous stories while sending him on an emotional journey filled with mystery, political intrigue, and an action-packed finale.

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With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

iron man hauntedWriters: Daniel Knauf, Charles Knauf

Artists: Butch Guice, Roberto De La Torre, Carlo Pagualyan

Issues: Iron Man: Director of SHIELD #21-28

“How do you feel, sir?”
“How do I feel? I saved 97.5% of the human race. Proved everyone who doubted me wrong…and I kicked the living crap out of The Mandarin. I feel great.”

Considering Tony Stark became an even bigger asshole during the whole Civil War event, his solo series during that time has been surprisingly fantastic. As the Director of SHIELD Stark’s resources and reach have never been higher, yet neither has the emotional and psychological toll. In the massive eight part story arc, “Haunted,” the writing father/son team of Daniel and Charles Knauf successfully tie together the story elements and seeds that Warren Ellis planted back in the first arc while giving Tony Stark an emotional journey filled with mystery, political intrigue, and an action-packed finale.

Don’t be fooled by the trade paperback’s terrible decision to use the Iron Man: Director of SHIELD Annual issue as its cover – neither the art nor tone is reflective of the darkened styling and patient pace of the story, and it’s a completely separate, one-shot issue. “Haunted” begins like an episode of a murder-of-the-week TV show, as a pair of registered heroes in Omaha Nebraska are exploring a disturbance in an abandoned building. They stumble upon a minor villain named Gravitron, he says some cryptic stuff, and one of them is killed while the other lands in the hospital. Stark visits the hospitalized hero and villain to try and get some answers, and it’s there that he starts seeing dead people from his past like Happy Hogan, Sal, and Steve Rogers.

iron man #25Stark begins to piece the puzzle together and the comic takes on a forensics and investigative format, which is both familiar and yet a fun way to approach a comic book story. The art also compliments the tone perfectly with a dark, painted look that somehow achieves consistency despite three different artists being used throughout the run. Dialogue scenes and faces look especially fantastic, while the few action scenes suffer somewhat as colors and characters blend together a bit too much.

Stark’s investigations are stymied by his own Superhero Initiative. As he’s been displaying erratic and questionable behavior, including leaving his suit on for days at a time, psychologist and perennial guest-star Doc Samson is called in to treat him. Stark is forced to wear a power-inhibiting ankle bracelet and about to be put under house arrest until he proves to Samson that there is in fact a major cover-up going on. Dr. Maya Henson, the woman from the “Extremis” story line that created the virus (and later administered it to Stark), had faked her suicide and gone to work for a pharmaceutical company to continue Extremis’ research and development.

Unfortunately for everyone, the company is run by The Mandarin, Iron Man’s old nemesis. The Mandarin’s return was teased in Iron Man’s previous story arc, and in a classic comic book clash only Stark believed that he was back. The Mandarin is a fun villain in how he manipulates Dr. Henson, and in the end his desire is to unleash Extremis upon the world, forcing humanity to evolve with it even if ninety-seven point five percent of the world will die in the process.

With a massive eight issues to explore a fairly simple story, “Haunted” really takes its time diving into Stark’s stressful investigation, as well as the political ramifications of being the Director of SHIELD. When they finally discover The Mandarin and his plan, Stark battles him in an older, non Extremis-powered armor and has SHIELD deploy a special self-contained nuke on the entire research facility.

iron man #27

It’s an effective measure (though Mandarin escapes, it’s only issue #26!) but I liked that Stark has to then answer for dropping a nuclear weapon on American soil. The government is not pleased and just as he’s rendered guilty, his SHIELD supporting cast of Maria Hill and Tim Dugan bail him out, letting him escape to hunt down the Mandarin and prove that he’s still out there with a biological weapon.

iron man #26The end wraps up rather quickly in the final two issues as Stark is able to pinpoint Mandarin’s location relatively quickly to the exact company he happens to be at in China, then flies right through the building and begins the final melee showdown that lasts several brutalizing pages. It’s a violent final battle that ends when Iron Man rips Mandarin’s trademark rings that were embedded in his spine right out, and taps into the Extremis-filled missiles to make them harmlessly detonate up in the stratosphere where the cold kills the virus.

Tony Stark saves the day and is vindicated of all charges. For a long story arc containing a minimum of supporting cast, “Haunted,” captured my attention throughout each issue. My only complaint is that Maya Henson is reduced to a manipulated damsel in distress, and in the end is rescued by Stark with a kiss (so she believes it’s really him), which is a cheesy cliché that the comic had otherwise managed to avoid.

If Iron Man were an ongoing TV show this story would’ve made a great half-season or mini-series, and the writing sensibilities definitely reflect a television format. I especially enjoy that it integrated Stark’s past characters and stories into a strong culmination that includes his oldest and greatest foe, even if he defeats him a bit too easily.

Marvel Comics Final Thoughts – Iron Man, Vol. 1: Extremis

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Writer: Warren Ellis IronManExtremis cover

Artist: Adi Granov

Issues: Iron Man #1-6

I’ll be the first to admit that I was not exactly a big Iron Man fan growing up. It wasn’t until Robert Downey Jr.’s perfect portrayal in the astonishingly good 2008 Iron Man film that I began to take notice. Even so I’d been planning to get most of my Iron Man fix from the Avengers series (which in the era I’m currently in – 2006, is in New Avengers), but heard such positive remarks on this particular Iron Man story that I decided to give it a shot.

“Extremis” is the six-issue story arc that centers on Iron Man’s new solo series that picks up right after the events of 2004’s Avengers “Disassembled.” The entire arc is told in a very cinematic style as it opens with some unknown ne’er do-wells injecting some kind of serum they got off the black market. One of them freaks out and begins to transform, and by the end of the first issue we still don’t know entirely what’s going on.

The story takes its time by giving us a cross section of who Tony Stark is and where he is in his life, most notably in one of his early scenes where he sits down with an exposé style reporter and verbally jousts about his past, present and future with technology and the military. We get a nice glimpse back into the inciting incident that changed him from a war profiteer into a vigilante, and it’s very similar to how it’s portrayed on the big screen – imprisonment by terrorists (updated from Vietnam, heh) and building a prototype Iron Man suit out of spare parts to escape.

Eventually the plot unfolds as our new villain has gained superhuman powers and is running amok, and the lead at a research lab gives Tony a call, an ex-girlfriend naturally. A secret super-soldier formula called Extremis has been stolen out of the lab, and scientist Maya Hensen needs Tony to track it down. Stark is able to find him relatively quickly as our low-life tears apart an office building, at one point breathing fire on a bunch of innocent people.

ExtremisIron Man promptly gets his ass kicked in the ensuing battle on a highway. The battle doesn’t happen until issue #3, but over half the issue is dedicated to panel after panel of fight scenes, until the villain finally throws a car at Iron Man, pinning him underneath after his power’s drained. It’s decently exciting but the jarringly realistic art style makes it look more like action movie stills than carefully constructed panels of a comic.

I found the art to be extremely distracting throughout. Adi Granov uses a unique style that I’ve never seen before. Numerous close-ups of characters look pretty fantastic with tons of detail, shading and lines, but at the horrible detriment to the background and everything else. Much of the backgrounds are filled with nothing but grays and browns and while the characters do pop in each panel it makes everything else just fall flat, particularly the few (but long) action sequences. It also hits some frightening Uncanny Valley level weirdness that, again, made the art more distracting than in service to the story.

Paced like a film, Iron Man proceeds to get an upgrade in the form of injecting himself with a modified version of the formula to better adapt his body to his suit. And also to save his life, since his battle tore him up pretty bad. There’s something you don’t see too often – the aftermath of a brutal battle with a non-immortal hero. The new upgrade allows him to sheathe himself in his Iron Man undies and reconstruct a suit electromagnetically out of a suitcase – hello Iron Man 2!

Stark catches up with our right-wing skin-head extremist villain Mallen and the two fight on even terms. Tony holds back as much as he can but just as Mallen is about to get the upper hand, Iron Man is forced to blow a hole in his chest (then slice off his head, just to be sure). It’s a brutal end and not terribly satisfying, as our villain had very little agency and a cliched backstory.

iron man extremis #3

I’ve come off pretty negative so far but I actually enjoyed “Extremis” over all. The insight into Tony Stark was fascinating, and I really got the concept of a character that both wanted to succeed within the system (being head of a major company) and without (being a tolerated vigilante). The cast is so sparse – Stark, Maya, Mallen, Stark’s aging hippie friend Sal – that it really feels like one character’s internal battle with himself as much as the actual crisis at hand. It also seems to happen so quickly that I guess it makes sense that Stark doesn’t even have time call in his new Avenger buddies (a constant irksome conceit when these characters have multiple ongoing series).

The next story arc uses an entirely new writer and artist so I’ll definitely give it a try. It’s fun seeing so many elements from all three Iron Man films ripped from this one story arc and it’s an easy, self-contained story to follow. For those reasons I’d give it a recommendation, though so far New Avengers has been the superior Iron Man experience.