With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.
Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!
Artists: Butch Guice, Roberto De La Torre, Carlo Pagualyan
Issues: Iron Man: Director of SHIELD #21-28
“How do you feel, sir?”
“How do I feel? I saved 97.5% of the human race. Proved everyone who doubted me wrong…and I kicked the living crap out of The Mandarin. I feel great.”
Considering Tony Stark became an even bigger asshole during the whole Civil War event, his solo series during that time has been surprisingly fantastic. As the Director of SHIELD Stark’s resources and reach have never been higher, yet neither has the emotional and psychological toll. In the massive eight part story arc, “Haunted,” the writing father/son team of Daniel and Charles Knauf successfully tie together the story elements and seeds that Warren Ellis planted back in the first arc while giving Tony Stark an emotional journey filled with mystery, political intrigue, and an action-packed finale.
Don’t be fooled by the trade paperback’s terrible decision to use the Iron Man: Director of SHIELD Annual issue as its cover – neither the art nor tone is reflective of the darkened styling and patient pace of the story, and it’s a completely separate, one-shot issue. “Haunted” begins like an episode of a murder-of-the-week TV show, as a pair of registered heroes in Omaha Nebraska are exploring a disturbance in an abandoned building. They stumble upon a minor villain named Gravitron, he says some cryptic stuff, and one of them is killed while the other lands in the hospital. Stark visits the hospitalized hero and villain to try and get some answers, and it’s there that he starts seeing dead people from his past like Happy Hogan, Sal, and Steve Rogers.
Stark begins to piece the puzzle together and the comic takes on a forensics and investigative format, which is both familiar and yet a fun way to approach a comic book story. The art also compliments the tone perfectly with a dark, painted look that somehow achieves consistency despite three different artists being used throughout the run. Dialogue scenes and faces look especially fantastic, while the few action scenes suffer somewhat as colors and characters blend together a bit too much.
Stark’s investigations are stymied by his own Superhero Initiative. As he’s been displaying erratic and questionable behavior, including leaving his suit on for days at a time, psychologist and perennial guest-star Doc Samson is called in to treat him. Stark is forced to wear a power-inhibiting ankle bracelet and about to be put under house arrest until he proves to Samson that there is in fact a major cover-up going on. Dr. Maya Henson, the woman from the “Extremis” story line that created the virus (and later administered it to Stark), had faked her suicide and gone to work for a pharmaceutical company to continue Extremis’ research and development.
Unfortunately for everyone, the company is run by The Mandarin, Iron Man’s old nemesis. The Mandarin’s return was teased in Iron Man’s previous story arc, and in a classic comic book clash only Stark believed that he was back. The Mandarin is a fun villain in how he manipulates Dr. Henson, and in the end his desire is to unleash Extremis upon the world, forcing humanity to evolve with it even if ninety-seven point five percent of the world will die in the process.
With a massive eight issues to explore a fairly simple story, “Haunted” really takes its time diving into Stark’s stressful investigation, as well as the political ramifications of being the Director of SHIELD. When they finally discover The Mandarin and his plan, Stark battles him in an older, non Extremis-powered armor and has SHIELD deploy a special self-contained nuke on the entire research facility.
It’s an effective measure (though Mandarin escapes, it’s only issue #26!) but I liked that Stark has to then answer for dropping a nuclear weapon on American soil. The government is not pleased and just as he’s rendered guilty, his SHIELD supporting cast of Maria Hill and Tim Dugan bail him out, letting him escape to hunt down the Mandarin and prove that he’s still out there with a biological weapon.
The end wraps up rather quickly in the final two issues as Stark is able to pinpoint Mandarin’s location relatively quickly to the exact company he happens to be at in China, then flies right through the building and begins the final melee showdown that lasts several brutalizing pages. It’s a violent final battle that ends when Iron Man rips Mandarin’s trademark rings that were embedded in his spine right out, and taps into the Extremis-filled missiles to make them harmlessly detonate up in the stratosphere where the cold kills the virus.
Tony Stark saves the day and is vindicated of all charges. For a long story arc containing a minimum of supporting cast, “Haunted,” captured my attention throughout each issue. My only complaint is that Maya Henson is reduced to a manipulated damsel in distress, and in the end is rescued by Stark with a kiss (so she believes it’s really him), which is a cheesy cliché that the comic had otherwise managed to avoid.
If Iron Man were an ongoing TV show this story would’ve made a great half-season or mini-series, and the writing sensibilities definitely reflect a television format. I especially enjoy that it integrated Stark’s past characters and stories into a strong culmination that includes his oldest and greatest foe, even if he defeats him a bit too easily.