With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.
Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!
Artist: Steve McNiven
Issues: Wolverine (2003) #66-72, Wolverine: Old Man Logan Giant-Size
“What If” stories have been a mainstay in Marvel comics for decades. Sometimes they’re as simple as a single panel stories or one-shot issues. Occasionally they may be used for entire mini-series – with the best example being the first big event that kicked off the modern Marvel age of events, House of M.
Toward the end of its six year run, Wolverine‘s 2003-09 solo series was randomly converted into a grand post-apocalyptic road trip adventure starring an older, grizzled Logan. Most of the world’s super heroes have been killed and villains have carved up the USA. Amazing art from Civil War‘s Steve McNiven remains the gorgeous (and extremely bloody and violent) focus, though the story loses itself somewhat in trying to create this fascinatingly bleak future world.
A big problem with consuming media years after the fact lies in hype, popularity, and expectations. I’d heard really great things about “Old Man Logan,” and the post-apocalyptic concept is way up my alley. I love me some Wolverine and putting him in a Mad Max style world of anarchy seems like a perfect fit. There was never a question of if I would read Wolverine: Old Man Logan, only when. Continue reading “Marvel Comics Final Thoughts – Wolverine: Old Man Logan”