Marvel Comics Final Thoughts – All-New X-Men (2012), Vol. 1-3

The original five X-Men are brought forward in time to find their mutant dreams of peaceful co-existence have never been further away.

Writer: Brian Michael Bendis

Artists: Stuart Immonen, David Marquez, David Lafuente

Issues: All-New X-Men (2012) #1-15

marvel
All-New X-Men #8

Avengers Vs. X-Men was a major event in the Marvel universe. It finally reversed the Scarlet Witch’s “No More Mutants” decree back in 2005’s House of M, turned Cyclops and a few of the more grey-area X-Men into hidden revolutionaries, and led some of the more pro-active X-Men into joining forces with the Avengers.

AvX also transitioned veteran Marvel scribe and architect of the modern Marvel universe Brian Michael Bendis from Avengers books into X-Men. Specifically, a new flagship series called All-New X-Men.

All-New X-Men‘s story hook had me immediately rolling my eyes. The Beast, fed up with Cyclops’ post-AvX turn as a murderer and mutant revolutionary, decides the best course of action is to travel back in time to when the original five X-Men were starry-eyed teenagers under the tutelage of Professor Xavier (Marvel plays it coy with the dates. Jean is sporting a 1960’s era bob cut but obviously our modern heroes aren’t 60 year olds…). Continue reading “Marvel Comics Final Thoughts – All-New X-Men (2012), Vol. 1-3”

Marvel Comics Final Thoughts – Siege

Our heroes return in an explosive battle for Asgard, which also brings an end to Norman Osborn’s Dark Reign.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

SiegeWriter: Brian Michael Bendis

Artist: Olivier Coipel

Issues: Siege #1-4, Siege: The Cabal, Siege: Prologue*

*I also read the following tie-ins: Dark Avengers #13-16, New Avengers #61-64 + Finale, Thor #607-609, Siege: Loki One-Shot, Siege: Secret Warriors One-Shot

 

Finally we come to the end of what I’ll call the Bendis Era of Big Marvel Events. It began with 2006’s Civil War (and really you could go back further to House of M or Avengers: Disassembled), continued into 2008’s Secret Invasion, which gave way to 2009’s Dark Reign, and finally ends with 2010’s Siege.

This age of near constant mega-events would continue to define Marvel comics throughout the next decade, and with the recent success of Secret Wars, I don’t see it slowing down any time soon.

As an event, Siege is heavily embedded in Marvel continuity, specifically the cool but not exactly new-reader friendly Dark Reign. Dark Reign put Norman Osborn as leader of the initiative that was initially created by Tony Stark in the post-Civil War world. He built his own Dark Avengers team, a surprisingly awesome comic that further explored the bad guys-as-heroes dynamic that made Thunderbolts so great.

The political events have largely been a heavy-handed reflection of our culture of fear, and the dichotomy between freedom and security. Drawing parallels between 9/11 and America’s War on Terror is pretty low-hanging fruit to grasp, and nowhere is that more painfully obvious than Siege. Norman invades Asgard under manufactured pretenses, and starts an unpopular war that ultimately brings his reign to an end. Continue reading “Marvel Comics Final Thoughts – Siege”

Marvel Comics Final Thoughts – Secret Invasion

In 2008 Marvel launched their biggest crossover mega-event yet, a full scale alien invasion by the shape-shifting skrulls that pulled together all the Avengers.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Secret Invasion coverWriter: Brian Michael Bendis

Artist: Leinil Francis Yu

Issues: Secret Invasion #1-8

For these Final Thoughts I also included the following tie-ins and limited series:

Avengers: The Initiative #14-19
Mighty Avengers #12-20
New Avengers #38-47
Secret Invasion: Dark Reign #1
Secret Invasion: Inhumans #1-4
Secret Invasion: Thor #1-3
Secret Invasion: War Machine #33-35 (from Iron Man)
Secret Invasion: X-Men #1-4

 

“He loves you.”
“Um, he who?”
“God.”
“Yeah? Well my God has a hammer!”

If Avengers Disassembled lead into the modern Marvel era of massive crossover events, then the time period in 2008 could be its pinnacle.  From ’07 the Planet Hulk revenge story/sequel World War Hulk and the cosmic sequel Annihilation: Conquest ravaged parts of Earth and the entire universe respectively. Without even catching a breath the X-Men experienced their biggest crossover in years with the epic Messiah Complex event. Directly afterward Marvel played their biggest hand yet: the skrull-powered Secret Invasion mega-event.

Spanning most of 2008, bringing together nearly every ongoing series at the time, and completely changing the ongoing structure and politics of the Marvel world for the following year, Secret Invasion was as big an event as Marvel had ever run. To pull off the long con, Marvel architect Brian Michael Bendis had to start crafting years in advance, sowing the seeds for the violent and shocking return of the shape-shifting alien skrulls as far back as 2004-05 – ironically the time period I chose to jump back into Marvel comics with.

The event had been teased and prodded in several issues of both Might Avengers and New Avengers – especially New Avengers #31, when the team kills Elektra only to find a dead skrull in her place. A similar shock occurs in the final issue of New Avengers: Illuminati. Black Bolt, leader of the Inhumans is revealed to be a skrull sleeper agent. Though he fails in killing the rest of the illuminati, the seeds of distrust and concern do their damage, breaking up the clandestine group of super-leaders.

Secret Invasion #3

From there the event moves into full swing. Like most major Marvel Events before it, Secret Invasion received its own special series that brought in just about every active Avenger at the time. This leaves the actual Avengers series scrambling to include relevant tie-ins, leading to a surprisingly eloquent solution of using those series to detail more of the skrulls’ backstory. The two main Avenger trades at the time all delved into the lead-up to the Invasion and how thoroughly ingrained the shape-shifting alien goblins were in our society throughout the last few years.

The biggest skrull surprises reveal main villains Spider-Woman and Hank Pym (Yellowjacket). Spider-Woman had been Bendis’ pet project for years; a relatively minor D-lister who was elevated to an interesting and compelling character that ended up joining both active Avenger squads at various points.

It was all a lie, as she’s revealed to be Queen Veranke, leader and religious figurehead of the skrulls. I found it quite fascinating that the skrulls were not simply alien invaders but religious fanatics that truly believed the Earth was theirs by right. All the skrulls repeat the line “He loves you,” and it’s quite shocking when we learn that they are referring to God.

Secret Invasion #3bAlthough the skrulls’ main tactic was to infiltrate and take over Earth from the inside, the main series starts with a bang as they attack with a full-blown assault and invasion while the bulk of the Avengers are mired in the Savage Land. A skrull ship crashlands and out walks a bunch of Avengers in old costumes from the 70s, a classic alien abduction story-telling device that reminded me of the end of Close Encounters of the Third Kind.

Unfortunately our heroes spend way too long dealing with this weird development as both sides yell “No, you’re a skrull” before devolving into a battle royale.

Meanwhile back in New York (the only place alien invasions really take place), the defense of Earth is left up to the Young Avengers, and they have a hell of a time against the newly super-powered skrulls. Not only have the skrulls developed technology to remain completely undetected, but they can also replicate just about every superpowered person in the Marvel Universe. Apparently the costume is part of the package deal, so our heroes fight skrulls dressed as Cyclops, Thor, and even Galactus, leading to some incredibly epic and fun battles.

It helps that the art is absolutely fantastic. I’d commented before that Leinil Yu’s art was very interesting and pencil-heavy on New Avengers. Here it evolves into a nice balance between evocative, detailed faces and explosive colors. His style lends to a slightly polygonal shaping to figures which I kind of dug, making it distinct without becoming too distracting. After Secret Invasion, Yu may have become one of my favorite Marvel artists.

Our Savage Land, Avenger-skrull problem is dealt with by Agent Abigail Brand of SWORD, Earth’s liason into space (sort of a cross between SHIELD and the Men in Black). Brand was actually created by Joss Whedon back in Astonishing X-Men, an awesome half-alien, no-nonsense woman with green hair and some minor powers.

Her ship is blown to hell when the skrulls invade but she manages to get inside another one and single-handedly free the captured and tortured Mr. Fantastic. Together she and Reed Richards fly down to the Savage Land where Richards’ quickly assembled super-device (as he does) reveals all the skrulls in an area. Drama ensues, fights break out, and our heroes finally get back to New York where the real giant battle commences.

Secret Invasion #6

Meanwhile Nick Fury has finally revealed himself, and he has his own team of Secret Warriors he’s assembled himself. Fury was one of the few people on Earth that sensed the skrull threat, and had been off the radar (and written out of most Marvel comics) since his Secret War event in 2004. The twist that he’d been working on fighting the eventual skrull invasion this whole time is a neat idea, and I liked that he was just as ornery, grizzled, and unlikable as I remember him. The backstory on his ragtag team of new heroes is detailed in one of the Mighty Avengers tie-ins, and they eventually spin off into their own Secret Warriors series, which I’ll definitely be reading.

The final battle is supremely satisfying, with issue #7 just one gigantic battle between the superpowered skrulls and all the various Avenger teams, as well as Red Hood’s street-villain group and Norman Osborn’s government-approved Thunderbolts. Lots of crazy cool moments leap off the page, like The Watcher showing up, Marvel Boy crashing in, and Hawkeye wielding a bow and arrow for the first time in years to shoot Veranke in the face.

The skrulls get the last laugh, however. Remember how Hank Pym was really a skrull? He’d previously given his ex-wife Janet (The Wasp) a new growth formula that was actually a deadly biological bomb. Skrull-Pym uses his dying breath to activate it, and she suddenly grows with a strange energy. Thor is forced to put her down using tornadoes to blow her particles away to save everyone else. Our heroes are not pleased, but it’s Norman Osborn, the recovering Green Goblin turned government man and leader of the Thunderbolts that gets the killing blow on Veranke.

Secret Invasion #8

From there the skrulls finally surrender and the war is over. The government praises Norman Osborn and his team, dissolves SHIELD, and puts Osborn as head of a new world order. Osborn immediately gathers together a secret team of would-be super-villains – the anti-illuminati, as his Cabal. He tells Namor, Doctor Doom, Loki, Red Hood, and Emma Frost that they can work together, and as the man on the inside he can let everyone get away with it.

Without yet reading the Thunderbolts tie-ins, Osborn’s sudden rise to power felt a bit rushed at the end, but I am intrigued by this new world that embraces the Freedom versus Security theme that Marvel had been exploring for years. Dark Reign sounds like we go full on 1984!

While the two main Avengers trades covered various backstories, Avengers: The Initiative went in a crazy side-story direction. Delroy Garrett the, er, 3-D Man, pulls a They Live when he realizes his special hand-me-down goggles can see who’s really a skrull. Around the same time Camp Hammond, home to the main Initiative training base and recruitment is fully taken over by skrulls, led by skrull-Pym, and 3-D Man embarks on a crazy odyssey to warn the other Initiative teams around the country and fight the skrulls.

secret invasionThe weird thing about The Initiative series is that all the original characters I enjoyed all graduated and went their separate ways in the last volume. The Secret Invasion issues solve that problem somewhat by having 3-D Man meet up with many of the members, now dispersed amongst their own various state-sponsored super-teams. Most of them are incredibly dorky with some of the lamest superhero costumes and concepts you’ve never heard of.

The story goes in some weird places and eventually ends in an climactic multi-stage battle involving skrull-Pym’s plan to use a weapon of mass destruction – which you never hear about in the main Secret Invasion story. It’s completely ancillary and very skippable, though the art is quite nice and the story remains entertaining, even if it involves the most D-list of D-listers.

Like many Marvel events Secret Invasion launched with multiple limited series, allowing characters and teams to be involved without taking over their current series (a welcome strategy). Of the half-dozen or so limited series, I read X-Men, Inhumans, and Thor, as well as the end of the then-current Iron Man series which is taken over by a brief but fun War Machine arc that spins off out of Avengers: The Initiative. Whew!

James Rhodes wasn’t a big character at the time but I really enjoyed his brief spotlight, which includes using a giant mech-satellite to kick skrull spaceship ass, then going to Russia and helping out their superteam against the skrull invaders. I had no idea Rhodey was now a cyborg who needed the armor to live, and combined with brief flashes of him as a bullied but stalwart teen made War Machine a pretty fantastic character to read about. I’m looking forward to reading the official series that starts up next, though it looks like it only lasted twelve issues.

iron man war machine secret invasion #34Secret Invasion: Thor was definitely the strongest of all the limited series tie-ins I read with fantastic art and a short story that respects what J. Michael Straczynski is doing with Thor in his then-current series. Thor’s first job is to protect Asgard, and following that it’s to protect the people of Broxton, Oklahoma, where Asgard currently resides.

Thor shares a body with Doctor Donald Blake, and Dr. Blake delivering a baby amidst the stormy crisis of the skrull invasion juxtaposes wonderfully with the war the Asgards wage against the alien threat. It also brings in Thor co-star Beta Ray Bill, aka that weird alien horse Thor who’s all kinds of awesome, and they spend the majority of the comic fighting their own super-powered skrull. It’s short and sweet, but also action-packed and intense – a wonderful tie-in.

Secret Invasion: X-Men was unfortunately the weakest, with a dull, bland art that made many of the X-Men look eerily similar to the goblin-like skrulls they were battling. The skrulls invade the X-Men’s new home of San Fransisco, and they respond accordingly. Everything’s fairly boring and predictable until the final issue, when Cyclops pulls off a rather hardcore biological attack, infecting the skrulls with the same Legacy Virus plague that nearly wiped out mutants years ago. Cyke’s willingness to do whatever it takes nicely reflects his recent character evolution, but the whole adventure just came off super forgettable. Sorry X-Men, you’ve got plenty of your own problems!

secret invasion inhumans #2The Inhumans series is a bit of a mixed bag. It starts out well enough, with the royal family still reeling from the knowledge that Black Bolt was a sleeper agent skrull for some time. Just as the seeds of suspicion are planted, the skrulls openly attack the moon-based Attilan. While everyone fights, Medusa, Gorgon, Triton, Karnak, and Crystal (the only Inhumans that are ever really given any personality or recognition) mount a space-faring journey to rescue the real Black Bolt, who’s currently being tortured and weaponized by the skrulls.

Medusa ends up meeting up with Ronan the Accuser and forges an alliance, which has interesting repercussions going forward. Things get a little crazy as we split up into three teams to go to three different planets and gather McGuffins to track the skrulls. Eventually Black Bolt is rescued in the nick of time, and the Inhumans declare their official alliance with the Kree, and their continued distaste of Earth and all its problems, leading the Inhumans to enter the more Cosmic-side of Marvel stories going forward. It’s an interesting development and makes Secret Invasion: Inhumans quite important, but as its own story it’s just okay. None of the characters are interesting or compelling and the plot and action are just too much to squeeze into a four issue arc.

While Secret Invasion relies heavily on its initial surprise twists and reveals of ‘They were a skrull the whole time,’ the story of an explosive alien invasion with a lot of premeditated planning is a fun event for the Marvel-verse to tackle. The mostly lame skrulls are used in awesome and terrifying ways, though the actual consequences of the war don’t feel nearly as harsh as Civil War‘s. I loved their religious fanaticism and Queen Veranke (as Spider-Woman) is a fun villain – the quick scene where she tries to convince a sick Tony Stark that he’s their top skrull agent is absolutely delicious, and I wished the story had gone more in that direction. Instead we end up getting a fairly standard, albeit awesome battle at the end, and Yu’s art is phenomenal. I’ve generally been a fan of Marvel’s events thus far, and Secret Invasion definitely didn’t disappoint.

Secret Invasion #8 cabal

Marvel Comics Final Thoughts – New Avengers (2005), Vol. 7

Volume Seven acts as a prologue to Secret Invasion as our heroes reel from the discovery of a disguised Skrull and the implications of a major Body Snatchers-style invasion.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

new avengers 2005 vol 7Writer: Brian Michael Bendis

Artists: Leinil Francis Yu, Carlo Pagulayan (Annual #2)

Issues: New Avengers (2005) #32-37, Annual #2

 

Poor New Avengers. You started off as the primary Avengers trade following the events of “Disassembled.” Then Tony Stark won the Civil War and the rebels of the New Avengers went underground, refusing to register but also not wanting to disband. Stark built his own government-sanctioned Mighty Avengers team, leading to two concurrent Avengers trades for the next few years.

So far Mighty Avengers has benefited from all the big stories while our rebel team mostly picks up the pieces and ties into the story-lines of their bigger brothers, first briefly in the “Ultron Initiative” then directly during the “Venom Bomb” crisis. More importantly, this seventh volume acts as a giant extended prologue to the then-upcoming major event Secret Invasion in 2008 as our heroes reel from the discovery of a disguised Skrull and the implications of a major Body Snatchers-style invasion.

“The Trust” revels in the horror (and dark comedy) of the team suddenly unable to trust each other after revealing that Elektra was really a disguised skrull at the end of the previous story arc. Spider-Man especially gets some genuinely funny dialogue (“Maybe I’m a skrull? Or maybe all of you are skrulls and I’m on the universe’s weirdest reality show”). The first few issues involve the roster of Dr. Strange, Hawkeye (as costumed ninja Ronin), Echo, Wolverine, Spider-Man, Luke Cage, and Iron Fist arguing amongst themselves.

Spider-Woman defects from the team during the violent weather attacks produced by Ultron during the first story arc of Mighty Avengers. Her plan is to take the skrull body to Tony Stark to make him aware of a possible invasion. The rest of the team is justifiably worried that Tony Stark could easily be a supplanted skrull himself. The plane carrying the team goes down in a lightning storm, leaving Spider-Woman able to take down a wounded Wolverine and escape with the body (and we later see her carry through with her plan to talk to Tony Stark in Mighty Avengers #7), and at that point she officially joins with the Mighty Avengers.

There isn’t much of an actual plot for the first few issues until we’re introduced to a new villain organization, organized by The Hood. The Hood, a dual-pistol wielding, demonic entity powering badass, gathers a bunch of D-list bad guys into trying to form a criminal organization to take advantage of the fractured superhero community.

new avengers #34

Since the Mighty Avengers are tackling bigger problems, our group takes on the Hood’s head-on. It’s also approrpriate as the New Avengers roster includes some of the more well known “street level” heroes like Luke Cage and Iron Fist. The gritty battles and dialogue scenes are accentuated by Leinil Yu’s incredibly stark, pencil-heavy art style.

Yu took over as the main artist for New Avengers after Civil War and the dark shaded art provides a very strong contrast to Mighty Avengers‘ bright, typical tones. In fact this style is more in line with experimental stuff you’d see on random solo books rather than a major Avengers tie-in series. Kudos to Marvel for differentiating their two Marvel books, and really making New Avengers a unique and fun read.

The story concludes in New Avengers Annual #2 as The Hood’s gang assaults the magically hidden sanctum of Dr. Strange that’s acted as the Avenger’s hidden base of operations. They found the location through a very uncomfortable side plot involving beating, torturing, and threatening a completely random (and mostly naked) female hero, Tigra. Heroes getting brutally beaten is nothing new, but the violence factor is suddenly ratcheted up to a degree that hadn’t been seen previously (or again, as in the final battle), and takes on a very sinister tone as our heroine is mostly naked throughout and one of the bad guys is filming it and taking pictures, so that the rest of the bad guys can cheer and laugh. Ugh.

The Hood threatens to kill her and her mother as revenge for a previous attack she had foiled, and they use her again to get the location of Dr. Strange’s base. At least in the end she does get to join in the final battle as the bad guys attack the New Avengers. Yu’s style lends itself more to moody dialogue scenes than standard comic book action, and indeed the art is best when it focuses on one-on-one fight scenes rather than grand multi-hero stagings.

Just as our heroes begin to lose the fight (they’re outnumbered at least two to one) an already wounded (like, presumed dead) Dr. Strange basically hulks out in demon form, taking everyone down but draining himself considerably. Only the Hood escapes, and Dr. Strange decides to permanently leave the group as he’s been losing more and more of himself in these events.

new avengers annual #2

Ms. Marvel of the Mighty Avengers shows up with SHIELD to help incarcerate the bad guys, and to her credit she lets our rebel heroes escape. Of the villain crew only The Hood escapes, an intriguing villain I definitely want to see more of. Initially I was worried about the villain organization plot thread to merely be a minor stepping stone between Secret Invasion but it ended up with a fun, satisfying finale, and other than the super uncomfortable stuff with Tigra, I really enjoyed it. Yu’s artwork continues to be memorable and different, and our New Avengers are a fun team to read about with lots of varying personalities and witty banter. I certainly root for them way more than Stark and Ms. Marvel’s incredibly lame team, and look forward to their tie-ins to Secret Invasion, coming up next!

Marvel Comics Final Thoughts – Mighty Avengers (2007), Vol. 1-2

Iron Man’s officially government-sanctioned Avengers team is born from the ashes of the Civil War, and it’s mostly stupid fun.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

mighty avengers 2007 coverWriter: Brian Michael Bendis

Artists: Frank Cho, Mark Bagley

Issues: Mighty Avengers (2007) #1-11

At the end of the superhero Civil War the rebellious New Avengers were defeated and went into hiding, spurring new SHIELD Director Tony Stark to sanction his own official Avengers team. He dubbed them the Mighty Avengers – inadvertently coined by Ms. Marvel.

Stark of course joins the team making him a bit of a Wolverine in this era in terms of how spread out he is: here in Mighty Avengers, his own solo Iron Man series, as a major character in Captain America, etc. He chooses Ms. Marvel to actually lead the team (given her military background and experience), and together the two pick and choose the best of the best.

In New Avengers the team came together organically over a major crisis – a supervillain prison breakout, and the heroes that showed up and worked together ended up forming a team amidst the chaos. None of that happens in Mighty Avengers; instead it goes the Armageddon route and simply goes around recruiting people in a page by page montage (with flashbacks to their recruitment throughout the first few issues). Carol and Tony discuss people like they’re trading cards (“we need a Wolverine”) and then go recruit them. It’s all a bit silly and not terribly interesting, but at least they select a fairly varied team in terms of power level and background.

The initial team that joins Ms. Marvel and Iron Man are The Wasp, The Sentry, Wonder Man, Black Widow and Ares (“He’s a Wolverine and a Thor!” Ugh). Before they can even get an official Welcome to the Group meeting, Iron Man is suddenly melted and transformed into a weird, naked lady version of Ultron after a seemingly random attack by Mole-man. In the “Ultron Initiative” (#1-6) Fem-Ultron hijacks some weather satellites and tries to wreck havoc on the whole planet, while our heroes unsuccessfully hurl themselves at it.

As a side note, I completely hate the Sentry. What started off as an interesting take on a Superman-level powerful hero with severe mental issues has devolved into a Get Out of Situation Free card for comic writers. He has the power of a thousand exploding suns! Great.

Mighty Avengers #1b

The story is incredibly dumb and I detest the way Bendis writes each panel. He includes the inner thought bubble of all our heroes, sometimes in the middle of them talking. This makes every page have an insane amount of words and often makes just trying to suss out a single dialogue session a confusing mess. I generally like Bendis’ dialogue and writing but this method just fails spectacularly. Trying to do the inner monologue thing (normally reserved for solo books or single character focuses) for half a dozen characters is a nightmare and doesn’t add anything to the story.

I’m also not a fan of Frank Cho’s art work. It’s not terrible but it’s just slightly worse than what I consider base-line brightly colored action-adventure comic fair, and includes a hefty does of constant T&A from the women heroes that I wasn’t a big fan of.

To put a cherry on this ill-conceived return of Ultron (who mostly just stands there for five issues and occasionally throws a charging hero to the ground), they enlist the help of Hank Pym, Wasp’s ex-husband, to create a computer virus and introduce it to Ultron.

Yep, they Independence Day Ultron. Good job guys.

mighty avengers #2

 

As a side note I really enjoy how Bendis writes Hank and his dialogue with Janet is especially delicious, but even his enjoyable guest-starring isn’t enough to save this train-wreck of an opening story.

Volume 2, “Venom Bomb” (#7-11) is a massive improvement, picking up right after the last panel of New Avengers #31. Issue #7 has Spider-Woman showing up at Stark’s bedside with the glaring body of Skrull-Elektra. The titling of the issue has the Secret Invasion stamp on it, acting as an early prologue to the upcoming event. The entire issue is mostly just Stark and Jessica Drew talking about the ramifications of a possible secret Skrull invasion, and it’s actually pretty great.

Their talks end with Spider-Woman officially joining the Mighty Avengers, effectively switching sides, and Stark grants her a slot much to many of the team’s chagrin. Before anyone can really voice a complaint, something suspicious falls to earth from the wreckage of Stark’s weather satellites from the previous story arc. It’s a venom-style symbiote! Only this one acts like a virus and beings mutating everyone in New York City into Venom/Carnage monsters.

The Mighty Avengers are on the scene, and finally we get some action-packed scenes of our heroes kicking ass. Granted they soon have to pull up once they realize that all the monsters are really just possessed people. To create more chaos the New Avengers show up also as venom symbiote monsters (save Luke Cage), and there’s a funny bit where Wolverine’s healing factor keeps trying to push out the symbiote. Poor Wolverine.

Mighty avengers #8

The whole thing is over in a single issue as Stark simply goes to his lab and synthesizes a cure, then blasts it over New York. Very anti-climactic and short, but it leads to the team discovering the “Venom Bomb” belonged to Dr. Doom, so it’s off to Latveria! As if battling hundreds of symbiotes weren’t enough our heroes throw down with hundreds of doom bots after Ares crashes a plane right into Doom’s castle.

No less than three full two-page spreads of the team fighting off doombots jump out as a lovely feast for the eyes. Mark Bagley is an improvement in the art department, and it’s very much that classic modern comic book feel that is very appropriate to the tone and feel of the series.

The attack on Doom (whom quickly becomes one of my favorite villains and I adore Bendis’ treatment of him) leads to he, Iron Man and Sentry being thrust back in time to the 60s via Doom’s time-travel device. While an opportunity for some funny and cheesy moments are mostly wasted, I did love the old Jack Kirby, Silver Age style in which the time-travel issue is drawn.

Like all their problems it’s solved with a combination of Stark’s ideas and Sentry’s insane power level and they quickly return to their time an issue later. The entire story arc of Volume 2 is a rapid fire of big events happening every single issue. If the idea was to make up for the lackluster and boring “Ultron Initiative” it definitely succeeds.

mighty avengers #9

Dr. Doom is finally apprehended as Iron Man gets his Respect Mah Authority moment. I’m annoyed that throughout these two first volumes the focus centers on Iron Man more than anyone else. I get that he’s obviously the most popular hero (although Ms. Marvel was also gaining popularity at this time with her own solo series) but as I mentioned before, Iron Man is damn near everywhere. As stupid as heroes like Ares and Wonder Man are (answer = very, very stupid) I wouldn’t mind seeing at least a bit more team dynamic, drama, in-fighting and characterization that’s in every other successful team-up book.

With too much focus on Iron Man, a silly team and a terrible first outing, Mighty Avengers is off to a very shaky start. It definitely feels like the Michael Bay of comic stories – some fun action if you can mostly shut your brain down. I did like the way that it incorporates the greater continuity and the nonstop action in the second volume is an admittedly fun ride. But, come on Tony, let the rest of the team do something every once in awhile.

Marvel Comics Final Thoughts – New Avengers (2005), Vol. 1-3

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Writer: Brian Michael Bendis new avengers issue 1

Artists: David Finch, Steve Mcniven, Frank Cho

Issues: New Avengers (2005) #1-15

The Avengers have disassembled – long live the New Avengers!

I was honestly never a big Avengers guy until the Marvel Cinematic Universe came along and suddenly made me care about the likes of Iron Man and Captain America. In 2004 Marvel kicked off what would be the first of many large-scale events and shake-ups with “Avengers: Disassembled,” a story arc that would finish off the then prolific Avengers series after some notable deaths.

Of course no way Marvel actually goes without an ongoing Avengers series, and thus the New Avengers were started, with now main Marvel writer Brian Michael Bendis at the helm. Our new team comes together by sheer happenstance in the first story arc, “Breakout,” when a high-tech supervillian prison known as The Raft is shut down by Electro and dozens of villains begin escaping. Matt Murdock (Daredevil) and Luke Cage are there to meet up with an unknown superhero that may be imprisoned there, The Sentry (which foreshadows the next story arc), while SHIELD Agent Jessica Drew (Spider-Woman) escorts them. When the prison begins its exciting breakout, Captain America arrives with more SHIELD agents, Spider-man tags along to help out, and finally Iron Man shows up to see what all the hubbub is about.

While it leads to some silly comic moments of “Hey! I’m here to help out and fight bad guys with y’all,” the prison scene is still an exciting backdrop and a fun opportunity for some harrowing fights. Carnage was one of the escapees, and begins kicking the crap out of Luke Cage, Spider-Woman and Daredevil before The Sentry mysteriously grabs him and flings him into space. Spider-man gets thrown into the prison and literally surrounded by various minor and random villains, savagely beaten and left with a broken arm before Cap and company can fight their way in.

new avengers issue 2

By the end of the ordeal they tally that over 40 supervillains have escaped the prison. Based on the way this group of heroes were able to quickly lock down the situation, Cap proposes that they form a new Avengers team to help track down the loose ends. Their first lead takes them to the Savage Land and Karl Lykos, a.k.a. Sauron. The team stumbles upon Wolverine who’s there because of reasons and the whole group is swiftly captured, and then fights a bunch of Savage Land Mutates. Other SHIELD agents show up and there appears to be a vast conspiracy with something they’re mining in the Savage Land before it all blows up.

“Breakout” serves as an exciting jumping on point for this new team of Avengers that includes a few fresh faces as well as a hodgepodge of famous heroes. The team itself isn’t super balanced ability-wise. Cap, Cage and Wolverine are all melee fighters, while Iron Man provides the only real firepower (Daredevil turns the team down during the official recruitment issue, presumably to stick with his own successful solo series at the time). Spider-Man provides all the comic relief you’d expect while Spider-Woman fills the role of the token woman…at least until her ongoing shadowy side plot is further explored in the third story arc, “Secrets and Lies.”

New avengers issue 9After “Breakout” the team digs into the mystery surrounding the superhero The Sentry in the next story arc, aptly titled “Sentry.” Turns out the Sentry is an extremely powerful hero that had his mind wiped by Mastermine, as well as the minds of anyone that ever meets him. The New Avengers want to recruit him into the fold, but first they have to unlock his mind. They call in Emma Frost of the X-Men, and we’re treated to a cavalcade of cameos as the X-Men, Inhumans and Fantastic Four help battle The Sentry’s terrifyingly manifested demons as Emma works to heal his mind.

“Sentry” also introduces to the Illuminati, a group of the world’s most powerful figures (all men, sadly) that make major decisions in secrecy. The Illuminati is composed of Iron Man, Mr. Fantastic, Dr. Strange, Professor X, Black Bolt and Namor, and we get some fun scenes as Iron Man attempts to explain his new Avengers team.

new avengers issue 7 illuminati

Volume 3, “Secrets and Lies” follows the trail of one of our villainous escapees from the Raft, The Silver Samurai. The evil ninja clan The Hand brought him back to Japan and wants to prop him up as their figurehead, but Harada was simply imprisoned without trial or explanation by SHIELD and wants no part of it. The plot is mostly our heroes fighting a bunch of ninjas as they introduce a new mysterious ninja-hero known as Ronin, but quickly takes a backseat to exploring where Jessica’s loyalties lie as she seemingly makes contact with HYDRA.

Turns out she’s working for an off-the-grid Nick Fury directly and implanted as a mole to help HYDRA, even though HYDRA were able to restore her waning powers. By the end of the arc we’re still not completely sure if she’s playing both sides or ultimately working for one and betraying the other, but the double agent duty certainly takes its toll on her psychologically, and there’s a touching scene between her and Captain America where he’s both firm and sympathetic. I fully expected Spider-Woman to be nothing more than the eye-candy token female hero and was pleasantly surprised to find that she’s by far the most interesting character on the roster.

Despite using three different artists in the first fifteen issues, the art remains consistent and pleasantly comic book-y, that is with just enough exaggerated cartoon style that I dig it. The art and writing together aren’t anything to write home about but the New Avengers provides a wonderful baseline experience for simple fun comic book action and character development. I’m perfectly fine with other series’ experimenting with art and storytelling or delving deep into individual character psyche’s, but New Avengers is definitely more of a fun Summer blockbuster, and a big reason why comics are just plain fun in the first place.

With writer Bendis at the helm the series was lovingly mired in current Marvel events and continuity, making it one of the main ongoing series to read throughout the years it was active (an impressive six years and 64 issues). I definitely plan on sticking with the entire run, and using it when I want to turn my thinking cap down a few notches and just enjoy the ride.

New Avengers issue 15