Marvel Comics Final Thoughts – Siege

Our heroes return in an explosive battle for Asgard, which also brings an end to Norman Osborn’s Dark Reign.

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With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

SiegeWriter: Brian Michael Bendis

Artist: Olivier Coipel

Issues: Siege #1-4, Siege: The Cabal, Siege: Prologue*

*I also read the following tie-ins: Dark Avengers #13-16, New Avengers #61-64 + Finale, Thor #607-609, Siege: Loki One-Shot, Siege: Secret Warriors One-Shot

 

Finally we come to the end of what I’ll call the Bendis Era of Big Marvel Events. It began with 2006’s Civil War (and really you could go back further to House of M or Avengers: Disassembled), continued into 2008’s Secret Invasion, which gave way to 2009’s Dark Reign, and finally ends with 2010’s Siege.

This age of near constant mega-events would continue to define Marvel comics throughout the next decade, and with the recent success of Secret Wars, I don’t see it slowing down any time soon.

As an event, Siege is heavily embedded in Marvel continuity, specifically the cool but not exactly new-reader friendly Dark Reign. Dark Reign put Norman Osborn as leader of the initiative that was initially created by Tony Stark in the post-Civil War world. He built his own Dark Avengers team, a surprisingly awesome comic that further explored the bad guys-as-heroes dynamic that made Thunderbolts so great.

The political events have largely been a heavy-handed reflection of our culture of fear, and the dichotomy between freedom and security. Drawing parallels between 9/11 and America’s War on Terror is pretty low-hanging fruit to grasp, and nowhere is that more painfully obvious than Siege. Norman invades Asgard under manufactured pretenses, and starts an unpopular war that ultimately brings his reign to an end. Continue reading “Marvel Comics Final Thoughts – Siege”

Marvel Comics Final Thoughts – Uncanny X-Men: The Complete Collection, Vol. 2

The X-Men go to war with Norman Osborn’s Dark Avengers, and the fate of mutantkind leads to a creation of yet another new home.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

uncanny x-men complete collction vol 2Writer: Matt Fraction

Artists: Yanick Paquette, Greg Land, Terry Dodson, Marc Silvestri, Luke Ross, Alan Davis

Issues: Uncanny X-Men (1963) #512-519, Dark Avengers (2009) #7-8, Dark Avengers/Uncanny X-Men Utopia One-Shot, Dark Avengers/Uncanny X-Men Exodus One-Shot*

*I also included relevant tie-ins X-Men Legacy #226-227 and X-Men: Nation X #1-4

 

“Hello again. My name is Scott Summers and I’ve been an X-Man since I was fifteen. And like everyone else here, I’ve been a mutant all my life.”

I was originally going to open with “It was a time of upheaval for our beloved mutants,” but honestly it’s always a damn time of upheaval. From House of M to Emperor Vulcan and the Shi’ar Empire to Messiah Complex, the X-Men have barely had a chance to tell more character-focused, one-off stories before being whisked away to the next major event.

If you can’t already tell from the cavalcade of artists and issues included in this collected volume, this is yet another major event. To Marvel’s credit, most of these events do change the status quo of X-Men and mutants quite a bit, from destroying Xavier’s school to moving the X-Men West to San Francisco.

The Complete Collection Volume 2 covers the Dark Reign era – circa 2009. The X-Men are involved in a growing escalation of anti-mutant hatred in the not-so-progressive city of San Francisco, eventually clashing with Norman Osborn and the Dark Avengers. A new Dark X-Men team is temporarily created by Emma Frost, and Scott shows off his Wartime Consigliere skills when he creates yet another new home for mutantkind by dredging up a surprising location. Continue reading “Marvel Comics Final Thoughts – Uncanny X-Men: The Complete Collection, Vol. 2”

Marvel Comics Final Thoughts – New Avengers (2005), Vol. 10-12

Brian Michael Bendis is in top form with the flagship Avengers series as they battle the Dark Avengers.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

New Avengers vol 10Writer: Brian Michael Bendis

Artists: Billy Tan, Chris Bachalo, Stuart Immonen

Issues: New Avengers (2005) #48-60

 

The New Avengers (2005-2010) was really Brian Michael Bendis’ baby. Bendis has been the primary architect of Marvel’s overarching universe and event-ridden stories throughout the era I’m reading and well beyond. For that reason New Avengers could be considered the flagship Marvel series, involving one of the better team matchups and solid writing. These final three volumes before the big Siege event of 2010 represent one of the better Dark Reign stories – as it should since Bendis also penned Dark Avengers.

Volume 10, “Power” (#48-50) represents the short epilogue and transition out of Secret Invasion. It picks up immediately after the final battle and focuses on the dangling plot thread of Luke Cage and Jessica Jones’ baby daughter being taken by the skrull-Jarvis. There’s a brief man hunt that’s displayed as a fun montage. Finally Luke Cage goes to the one man with all the power to find someone – Norman Osborn, currently reigning top cop of HAMMER.

Osborn quickly tracks down the skrull hideout, Luke gets the baby, and Bullseye murders the skrull with a sniper rifle. Instead of agreeing to join up with Osborn’s Dark Avengers team, Luke Cage beats the shit out of Venom and Bullseye, then escapes. It’s a surprising and badass moment, and Bendis would continue to do a lot of cool things that really shows off Luke Cage’s character and personality.

Billy Tan does the art throughout Volumes 10-11, but Marvel uses a few other artists to fill out special scenes like backstories. I love Tan’s use of bold colors and giant, page-filling characters. The action looks great and the comic probably has more giant double-page spreads than anything else I’ve read. And they’re not all action! Bendis loves to use extended dialogue scenes with lots of panels on a full two-page spread, and it works really well thanks to the snappy, witty dialogue. Bendis excels at these team-up books with multiple characters playing off each other, and I found myself laughing out loud almost as much as a Deadpool comic. Continue reading “Marvel Comics Final Thoughts – New Avengers (2005), Vol. 10-12”

Marvel Comics Final Thoughts – Ms. Marvel (2006), Vol. 7-9

Ms. Marvel’s last three volumes features the best Dark Reign story I’ve read, as Carol Danvers battles the Dark Avengers’ Moonstone.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

marvelWriter: Brian Reed

Artists: Patrick Olliffe, Sana Takeda, Sergio Ariño, Philippe Briones, Mike McKone

Issues: Ms. Marvel (2006) #35-50

 

Ms. Marvel‘s 2006-2010 run represents one of the few series I’ve read every issue of (so far), and only the second one to reach 50 issues (the first being Cable & Deadpool). Not really knowing anything about Carol Danvers, I certainly didn’t plan on reading them all when I started. Brian Reed’s classic comic style kept me engaged, while his relatable and excellent portrayal of Carol continued through all 50 issues.

As the former leader of the Mighty Avengers, Carol Danvers was a prime target for recruitment by Norman Osborn when he took over during Dark Reign. Ms. Marvel would have none of it, of course, and suddenly found herself on the wrong side of the law – ironic since she was hunting down heroes during the Civil War. Continue reading “Marvel Comics Final Thoughts – Ms. Marvel (2006), Vol. 7-9”

Marvel Comics Final Thoughts – Dark Avengers, Vol. 1

Norman Osborn leads his own team of ex-villain Avengers as part of his Dark Reign takeover of Marvel.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

marvelWriter: Brian Michael Bendis

Artist: Mike Deodato

Issues: Dark Avengers #1-6

 

“My name is Norman Osborn, and I approve these Dark Avengers.”

The time period around 2009, Dark Reign, was Marvel’s not so subtle attempt at The Empire Strikes Back – a dark middle chapter where the villains seemingly win and the good guys go into hiding.

The political and social waves hit a crescendo during the skrull Secret Invasion. As then Director of SHIELD, Tony Stark was blamed for much of the disaster, while Norman Osborn and his team of Thunderbolts saved the day in the end. Thanks to some savvy manipulations, the former Green Goblin is given Stark’s job, dissolves SHIELD and creates HAMMER (“We’ll come up with what it stands for later”).

As part of his newly expanded role, Osborn creates his own Avengers squad. He has the keys to Avengers tower and brings in most of his Thunderbolts and a few new faces to create a villainous squad masquerading as heroes – which is exactly what the Thunderbolts were minus the literal donning of hero costumes. (Interestingly the Thunderbolts series would continue with a different team full of D-listers).

Most of the original Mighty Avengers squad get the hell out of dodge, with the exception of the easily manipulated, mentally disabled Sentry and aggressive God of War Ares. They’re joined by former Thunderbolts Venom (with drugs that allow him to look like black-suited Spider-Man), Bullseye (wearing Hawkeye’s costume), and Moonstone (dressed as Ms. Marvel’s Binary costume). Osborn brings in Daken (dressed as his father, Wolverine) and Noh-Var (Marvel Boy, pretending to me Captain Marvel). Finally Osborn himself suits up in one of Iron Man’s armors, calling himself Iron Patriot.

Dark Avengers #1

Whew, confused yet? That’s quite the roster, and pretty awful when it comes to diversity. Like Thunderbolts this is a team of not-quite reformed villains. The in-fighting and drama is high in every issue, though with so many members it’s often a montage of one-liners and quick scenes.

The first Volume highlights one major story arc in the first four issues. Dr. Doom returns to Latveria only to be attacked by a pissed off Morgana Le Fay. The two engage in a heated magical battle that leaves Doom disabled, and the Dark Avengers are flown in to help him.

Mike Deodato’s artwork is absolutely breathtaking. I’m pretty sure he’s my favorite Marvel artist of everything I’ve seen thus far. The colors are deep and vibrant, characters look amazing while avoiding the glossy look (cough Greg Land cough) and action sequences are just incredible. Deodato loves the two-page spreads – even with scenes that are little more than extended dialogue sequences. Scenes are given dynamic poses and interesting panel construction that make everything that much more exciting to read. It’s a visual feast in every issue, and Deodato’s art absolutely elevates the otherwise so-so storytelling.

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Eventually Osborn works with Doom to defeat Morgana. The whole story boils down to one big action sequence with Morgana’s magic demons, and because the art is so great it’s fun as hell.

Afterward the Dark Avengers are given a whole issue to lick their wounds and explore the team’s volatile dynamic – Venom is fed victims of each battle, Bullseye is still a barely hinged psychopath, Moonstone has her own agenda, and Noh-Var has disappeared. The most interesting is Osborn’s interaction with the Sentry. He goes full on psychotherapist and uses his own very real inner demon to help Sentry cope with his. It actually paints Osborn in a favorable, sympathetic light, even though he’s using the Sentry as a powerful weapon.

Osborn soon has need for his ultimate weapon when a random Atlantean terrorist cell attacks. Namor is brought in as a brief but delicious cameo as someone that doesn’t take any of Osborn’s shit. Instead of seguing into another action-packed battle with the team, they send Sentry to basically kill them all.

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Osborn only barely holds the team together and his grasp is constantly paper thin. I enjoy the way Bendis writes Osborn and focuses on his political savvy when it comes to public relations, like in a scene where the real Hawkeye denounces Osborn publicly on air, and Osborn is forced to make a statement. His interaction as babysitter and general for the team remains enjoyable throughout the volume, and ends with his own inner demon – the Green Goblin, calling to him.

Dark Avengers is a neat idea, though this first volume mostly plays it safe and retreads much of the same road walked by Thunderbolts (who’s Ultimate Collection was also drawn by Deodato). As the Dark Avengers their profiles are much higher, but the implication that they’re pretending to be the heroes they’re not is sadly not fully explored. I definitely hope Bendis gives these cool concepts a chance to grow. As it is this first volume is still a fun romp, made extra awesome with Deodato’s fantastic art.

 

Marvel Comics Final Thoughts – Thor (2007), Vol 2

Thor’s second volume delves a bit too deep into backstories, but the art is still fantastic.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Thor vol 2Writer: J. Michael Straczynski

Artist: Marko Djurdjevic, Olivier Coipel

Issues: Thor (2007) #7-12, 600

 

My favorite aspect of Thor’s comeback from “Ragnarok” in 2007 (besides the fantastic art) was the hilarious juxtaposition that occurred when Thor remakes all of Asgard on Earth – floating a few feet above the ground in Oklahoma. Finding and restoring all his Asgardian allies (within mortal bodies) was a fun plot hook, as was dealing with the political repercussions of suddenly having a floating city in the middle of America. Sadly this second volume moves away from all that to instead focus on heavy backstory and non-Thor Asgardians like Odin, Balder, and Loki. The art and writing are still incredible, but I found myself a bit bored with Loki’s tiresome manipulations and Thor’s self-doubting.  Continue reading “Marvel Comics Final Thoughts – Thor (2007), Vol 2”