Marvel Comics Final Thoughts – Mighty Avengers (2007), Vol. 5-6

Inconsistent art, boringly typical comic storylines, and a C-list cast makes Mighty Avengers an ultimately pointless series during Dark Reign.

Advertisements

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

marvelWriter: Dan Slott

Artists: Khoi Pham (#21-23, 27-31), Rafe Sandoval (#24), Stephen Segovia (#25-26)

Issues: Mighty Avengers (2007) #21-31

 

Norman Osborn’s Dark Reign officially took over the Avengers team in 2009, replacing most of them with his own ex-villains and creating the Dark Avengers. Instead of canceling the Mighty Avengers series, Marvel soft-rebooted it, whipping up a whole new team that exists as a mostly pointless international task force (since they’d be hunted down by Osborn in the US). The C-list heroes serve to elevate the status of the unlikable Hank Pym, who’d been one of the main skrull infiltrators during the Secret Invasion.

The roster is pulled together from a current list of available heroes, some starring in their own series, others in diaspora during Dark Reign. Scarlet Witch (who’s later revealed to be Loki in disguise – a neat twist), gathers them together to create a team to mostly deal with omega-level threats outside the US.

The team initially consists of Hank Pym (awkwardly calling himself The Wasp), Stature (slain Ant-Man Scott Lang’s daughter and current Young Avenger), Vision, Ronin (Formerly Hawkeye and New Avenger), Hercules and Amadeus Cho, US Agent (borrowed from the failing Omega Flight), Jocasta, Hulk (who leaves after the first story, cause he’s the fucking Hulk and screw you guys), and uh the real Edwin Jarvis, loyal Avenger butler. Continue reading “Marvel Comics Final Thoughts – Mighty Avengers (2007), Vol. 5-6”

Marvel Comics Final Thoughts – X-Factor: The Complete Collection Vol. 2

This second volume ends up as a mixed bag, faltering in the middle but then ending with a fantastic story at the end, giving me high hopes for X-Factor’s future.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!


x-factor volume 2Writer:
 Peter David

Artists: Pablo Raimondi (#13-17, 21-24, 28, 31, The Quick and the Dead), Koi Pham (#18-20), Valentine De Landro (#29-30, 32, Layla Miller)

Issues: X-Factor #13-24, 28-32, X-Factor: The Quick and the Dead One-Shot, X-Factor: Layla Miller One-Shot

 

X-Factor’s first twelve issues, collected as The Complete Collection Vol. 1 was a resounding success. Peter David’s quirky team is immensely varied and entertaining and the overarching plot of the mysterious and evil corporation that exploited mutants provided a great hook and a satisfying conclusion.

The team’s adventures continued in a second large collected volume, though it awkwardly includes issues before and after the major X-Men crossover event Messiah Complex. In the “Many Lives of Madrox,” (#13-16) Jamie continues his quest to reabsorb the numerous dupes he’s sent out in the world. Many of have them have been living varied lives for years, including a SHIELD agent that gets Jamie captured by Hydra, with hilarious results.

My favorite duplicate had carved himself a nice quiet life as a pastor with a wife and two kids, and Jamie’s sudden intrusion into this life creates some lovely drama. Ultimately Jamie makes the right decision to let it be, but the implications that his dupes have created these meaningful lives is part of why I find his mutant power and his personality so interesting.

x-factor #16There’s also an ongoing side story involving the rest of the team and X-Cell, a mutant terrorist group full of ex-mutants, and that story hits center stage in the next arc, “X-Cell” (#17-20). Quicksilver joins up with the leader to start handing out his power-restoring terrigen crystals he stole from the Inhumans in Son of M. The plot eventually reaches its climax as X-Factor attacks them to rescue Rictor and Layla (the latter doesn’t really need rescuing, she knows stuff).

There’s a few fun battles but straight-forward action has never been X-Factor’s strong suit, and unfortunately the art takes a huge nose dive when a different artist takes over (thankfully only for that arc). It’s fun seeing Rahne/Wolfsbane go full berserker wolf-mode, though.

In “The Isolationist” (#21-24), X-Factor is approached by a mysterious figure known as Josef Huber, an isolated telepath that takes drug to quiet the voices in his heads. Oh, and apparently he has every mutant power. He wishes to put mutants on the endangered species list, forcing the government to protect them and possibly overturning the superhero registration act. In reality he just wants to gather them together to kill them all, so the telepaths will no longer drive him crazy.

Huber’s a surprisingly interesting villain, and Peter David opts to write the last two issues from his perspective (with copious amounts of noir-appropriate monologuing) in lieu of a backstory, and it works quite well. Unfortunately things wrap up far too swiftly  after a lengthy build-up, and in the end Huber escapes after a brief battle with the depowered but oddly immune Rictor.

“The Only Game in Town” (#28-32) takes place after the mega crossover event X-Men: Messiah Complex. Messiah Complex is absolutely critical reading to know what the new situation is for X-Factor, namely: Jamie now has a tattooed “M” over his right eye as a souvenir from his time traveling sojourn, quirky clairvoyant Layla Miller is trapped in a dystopian future where mutants are put in concentration camps, and Rahne Sinclair (Wolfsbane) is leaving X-Factor to join X-Force.

The entire arc is put under the “Divided We Stand” era that is the X-Men and associates’ post-Messiah Complex fallout. Given that Messiah Complex is fairly integral to X-Factor’s story moving forward, it’s strange that this second collected volume would include issues all around it. Provided you’ve read it, however, this epilogue story arc is just fantastic, and really shows off Peter David’s incredible skills as a writer. The art remains fantastically shadowy and mostly consistent, despite the workload trading off between two artists.

x-factor #30 team

Since our small cast is now smaller than ever, we get even more time to delve into their lives and relationships. Siryn’s pregnant with Jamie’s child! Guido turns down the O*N*E’s job offer. Rictor is fully prepared to quit on X-Factor after Rahne quits on him. It’s delicious character-focused drama that gets interrupted when X-Factor is attacked by Arcade, who was in turn hired by the Purifier that Rictor duped to infiltrate the organization during Messiah Complex.

The team quickly comes together and goes into full on crisis mode after Arcade sets off a series of bombs while trapping all of Mutant Town in a fiery forcefield. It’s fun seeing them all react and save people, and Madrox’s ongoing (and excellent) inner monologue reinforces the fact that a crisis brings them together when they needed it most. The arc ends in an uplifting theme as they celebrate the pregnancy and leave Mutant Town before O*N*E’s Valerie Cooper can arrest or forcibly register them.

Two one-shots are also included, The Quick and the Dead and Layla Miller, both written by Peter David. The Quick and the Dead centers on Quicksilver’s incarceration and subsequent escape after the events of “X-Cell.” I’ve grown incredibly sick of Quicksilver’s self-pitying, selfish, and frankly evil behavior ever since the House of M. Seeing him having a mental breakdown in prison wasn’t exactly riveting, and the strange and sudden return of his speed powers was just confusing and weird.

x-factor #31

Layla Miller is much more interesting, but no less confusing as it takes place in the 80 year, dystopian future that Layla had become trapped in. She escapes from the concentration camp in a supremely funny and suitable manner (falling space debris!) then goes to visit future-cyborg Cyclops and his daughter Ruby. Yeah, I was lost too. Layla manages to incite an entire rebellion against the mutant-oppressive government. I’m not entirely sure if any of it matters but it’s fun seeing Layla be Layla, and I hope she can rejoin the team soon.

This second volume ends up as a mixed bag compared to the first, faltering in the middle but then ending with a supremely fantastic story at the end, giving me high hopes for X-Factor’s future. The cast is so damn likable and the writing comes across like one of your favorite comedy-drama TV shows. Still one of my favorite comic series to read.

Marvel Comics Final Thoughts – Son of M

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Son of M #1Writer: David Hine

Artist: Roy Allan Martinez

Issues: Son of M #1-6

Though I’m still constantly adding new series and comics to my reading list, I’ve learned to become much more choosy about where to apply my precious comic-reading time. I was originally going to skip the Decimation tie-in Son of M, which dealt with the now powerless Quicksilver.

One of the big twists at the end of House of M revealed that it was Pietro Maxmioff (Quicksilver) that convinced his sister Wanda (Scarlet Witch) to make the House of M world, which eventually lead to its destruction and the decimation of nearly every mutant on the planet. Pietro rightly comes off as a huge asshole and it’s karmic retribution that he’s one of the powerless mutants in the new world. When Issue #1 starts with him feeling super sorry for himself and longing for his speedy powers, he gets no sympathy from me.

But I’m glad I dived into it, as Son of M is deeply wrapped up in the Inhumans, a large isolationist group of superpowered people that gain their abilities by exposing themselves to their sacred Terrigen Mists. It’s increasingly looking like Inhumans may replace mutants in the MCU with both an upcoming film and major hints and teases in Agents of SHIELD. I knew very little about them, so when Crystal shows up at the end of the first issue (via their giant teleporting dog, Lockjaw) asking for her husband, I was intrigued (still kinda wish Spider-Man had just let him kill himself by jumping off a building).

The Inhumans have moved their city onto Earth’s moon – doesn’t get much more isolated than that, and generally stay away from anything to do with Earth. Pietro and Crystal have a daughter, now a little girl named Luna, and Peitro continues to be a huge jerk to everyone. We get some fun glimpses into Inhuman society as well as the bigger characters such as Videmus, Gorgon, Medusa and Black Bolt.

Son of M #6

Quicksilver takes two seconds to decide that he should sneak in and use the Mists on himself, which does allow him to regain his powers – sort of. Now he can move so fast he can travel through time, which always makes a plot that much more convoluted and strange to follow. In this case it’s even worse as Pietro makes a copy of himself when he does and frequently talks to a slightly older version of himself, which is even more confusing. Eventually he decides to steal the mists and kidnap his daughter (semi-willfully, she wants to see Earth but he’s totally manipulating her). His goal – to return to Earth and use the Mists to restore lost powers to mutants.

Pietro and Luna arrive in the ruins of Genosha where he meets up with the mutants from Excalibur. This is one of the first times where I was delighted to have prior knowledge of another comic as I recognized who they were. Unfortunately they don’t do all that much aside from take some hits of Mist that is a heavy-handed way of painting Quicksilver as a drug-dealer on top of everything else (oh and he exposes his too-young daughter to the mists and gets her hooked on them. Great guy, Quicksilver).

Magneto is also on Genosha and also depressed, but he correctly sees his son as a dangerous threat. Quicksilver uses his time-teleport power to beat the crap out of his old man and he’s only saved by his granddaughter intervening. Despite Magneto’s offensively fast resurrection between Morrison’s storyline of the early 2000s and the events of Excalibur, I’ve enjoyed his characterization as an older, wiser mutant filled with regrets and reflection, and generally still wanting to help his people, even without his powers.

son of m #6 black boltOf course the Inhumans weren’t going to stand idly by, and they reach Genosha around the same time as the Office of National Emergency. The Inhumans battle the Genoshan mutants and promptly kick their ass, while the O*N*E take down Quicksilver and grab the mists. The final confrontation occurs as the Inhumans demand the Mists returned and the US government refuses. In a rather awesome scene, Medusa says that Black Bolt will give his answer shortly, and the rest take off. The O*N*E commander starts freaking out, for Black Bolt’s voice is so powerful he can never speak lest he destroys everything around him. He whispers one word, “War,” and the entire army is utterly demolished. As someone that’s read about Black Bolt’s power but never seen it in action, it’s incredibly satisfying.

Thus the Inhumans officially declare war on the US, and the series ends as they have a final meeting with the Fantastic Four. Chronologically Civil War happens next, which would’ve been a great time for the Inhumans to attack, but they nicely waited until that mega-event was done to begin the limited series, Silent War that acts as the followup to this one.

If you couldn’t tell I despise Quicksilver even more after reading this comic. He’s easily my most hated person in the Marvel Universe after these events, essentially starting a horrible war and hurting his own daughter (most of the mist effects on mutants restore powers but only temporarily, and in undesirable ways). The real treat was seeing the Inhumans in action, and I very much look forward to Silent War to see even more.

The writing was well crafted and the art style had an interesting, washed-out, pencil-heavy look to it that I kind of dug. It’s just too bad our protagonist is such a horrible douche canoe.