With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.
Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!
Artists: Mark Texeira, Javier Saltares
Issues: Moon Knight (2006) #14-25
My initial introduction to Moon Knight was of a tortured, violently psychotic and most likely insane vigilante. As Marvel’s resident Batman, Marc Spector is a giant asshole that alienates his few friends and girlfriend and gets the shit kicked out of him on a regular basis.
It can be refreshing to read a Marvel comic that practically demonizes its own title hero but the third and fourth volumes of this series keep repeating the same self-pitying mantras, and I was ready for Moon Knight to get his shit together.
Marc continues to wallow in the hell he’s built himself, even after becoming officially registered with the Superhuman Registration Act by pure manipulation. “God and Country” (#14-19) sees the return of an old Moon Knight villain (I assume), Black Spectre. Spectre is a recent parolee and soon delves back into a life of crime, with his shtick of dressing up in full medieval plate mail and wielding maces and swords. He leaves calling cards designed to blame Moon Knight for a series of deaths, and soon the authorities are after him. It doesn’t help that Moon Knight takes out bad guys through gruesome maiming attacks – he rages against his moon god’s desire to kill but still leaves a wake of twisted and broken bodies in his wake.
Iron Man gets wind of Moon Knight’s Punisher-style brand of violent loner vigilantism. The story builds to a climax with Black Spectre stealing some kind of goofy nanite-controlling weapon and unleashing it on a crowd. Moon Knight actually kills him by tackling him off a roof to save everyone, and Tony Stark soon shows up to raid Moon Knight’s base.
The integral tie-in to the larger Marvel world at the time (post-Civil War with Director Stark) is nifty, and I found myself enjoying Moon Knight’s supporting cast far more than the main anti-hero. His old war buddy Frenchie, damaged but trying to do better fuck buddy Marlene (“We’re not dating, we’re *****”). Even his angry young man pilot whom I can’t remember the name of is more interesting than Marc’s tiresome self-loathing. At the end SHIELD agents symbolically drop the statue of Khonshu and you think that maybe Marc will make some real advancement as a character. But no.
“In the Company of Wolves ” (#20) is a rare one-off issue in this series of giant story arcs, and it’s quite entertaining. A werewolf from Moon Knight’s rogue’s gallery has been captured, and his blood is being used to make new temporary werewolves for use in a dog fighting arena. It’s a dark but cool idea, and a great setting for Marc to unleash his inner beast when he infiltrates it.
“The Death of Marc Spector” (#21-25) is heavily tied into the Volume 3’s continuity, with Marc still on the run from SHIELD. At this point in the timeline, however, Norman Osborn is Director of the Thunderbolts and is given permission to hunt and capture Marc. Although Moon Knight has no actual super powers other than badassery and some moon knives, he’s able to withstand multiple attacks from the entire Thunderbolts team (the brief battles with Venom are especially disappointing).
In the end it comes down to the Thunderbolts’ secret weapon – Bullseye. Mike Benson does a great job picking up the Thunderbolts for their guest run here, accurately portraying their quirks, personalities, and inner drama. Bullseye had been built up as quite the badass, and he’s actually a great foil combat-wise to Marc. Moon Knight knows he can’t beat him in a straight up fight, so he lures him to an underwater hideout and rigs the whole thing to blow. Both are able to escape but Marc Spector is presumed dead, and goes into hiding.
I can definitely see Moon Knight‘s appeal. It’s interesting to see an anti-hero that’s much more realistic – he suffers from mental issues, he’s constantly bruised and bleeding from every fight, and his relationships are strained at best. But at some point it just gets to be too much. A clever plot or exceptional art style could elevate Moon Knight but neither are anything special. I did enjoy and respect the use of Tony Stark, Norman Osborn, and the Thunderbolts within the greater Marvel continuity at the time, though it probably had more to do with a lesser focus on Marc himself.
Moon Knight definitely needs an adept writer to keep him fresh and interesting and not retread the same ground. Moon Knight would go through several more series and reboots before settling on the acclaimed series that began in 2014. I’ll get there eventually!