Marvel Comics Final Thoughts – Deadpool & Cable Ultimate Collection, Book 2

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Deadpool and Cable ultimate collection book 2Writer: Fabian Nicieza

Artists: Patrick Zircher, Lan Medina, Reilly Brown

Issues: Cable & Deadpool #19-35

The second massive volume of everyone’s favorite Marvel odd couple, Cable & Deadpool is going to be one of the harder Final Thoughts for me to recount, simply because I read it over the whole last month.

It starts with Issue #19, an epilogue of sorts to their House of M ordeal (which I find weird wasn’t included with the House of M tie-in’s in the first Book), while Issues #28-32 tie in to Civil War. I’m attempting to get better about starting and finishing at least whole story arcs before picking up more series, but some of these long collected volumes are a bit tricky – especially in this case where the stories are more about fun and humor than actually telling a coherent story.

Most major series have at least one major branching story line to along with minor vignettes along the way, but Cable & Deadpool is pretty much only the latter style in this second volume. Ironically my favorite issues were the nearly self-contained one-shots. Issue #19 stars Deadpool taking care of a rapidly re-aging Cable after his dimensional-hopping adventures. This mostly constitutes going to a bar and drinking together, but also includes some surprisingly poignant and rare revelations about Deadpool’s tragic past.

Issue #24 involves a fun match between Deadpool and Spider-Man, with all the verbal smack-talk slinging you can imagine. Issue #25 has Captain America infiltrate Cable’s little utopian project of Providence as a normal citizen, and becomes delighted with what Cable’s built and how he runs things (leading to a nicely logical reason why Cable helps support Cap in Civil War). We also get some fun glimpses into Cable’s dark future, where he wielded Cap’s iconic shield to inspire his own soldiers in the war against Apocalypse.

The other stories are varying degrees of quality, with the only notable importance to the series continuity being Deadpool stealing technology that allows Cable to simulate his lost telekinesis and telepathy. It leads Deadpool to a fun fight against Luke Cage, Iron Fist and the B.A.D. Girls.


With Cable’s ties to Apocalypse, it makes sense that he’d be involved in the “Blood of Apocalypse” storyline that hits the X-Men book around the same time. Issues #26-27, “Born Again,” act as a spiffy, if cheesy prologue to those events as Cable witnesses Pocky Lips’ premature resurrection and we got tons of backstory involving a mullet sporting Cable wielding a sword. It’s alright, and certainly leagues better than the ill-conceived X-Men story.

Unfortunately both the story telling and art gradually start to decline in the later issues. Domino, Cable’s ex-lover and former X-Force compatriot takes center stage in a few issues involving a coup in a made up Eastern European country. She’s not particularly interesting and her character doesn’t seem to have much to do outside of complaining about Cable.

Cable & Deadpool #30The Civil War tie-ins are also profoundly disappointing. I was hoping to shed some insight in how Cable joins the resistance, but instead I get some pithy fights between Deadpool and the Anti-Reg team. Cable then goes on a round-about way to show Deadpool how wrong he is for the side he’s chosen. That story bleeds over into the next, involving the lame Six-Pack team that showed up in the previous Book attacking Cable’s newly liberated country of Rumekistan and Providence. Cable of course swiftly kicks all their asses.

I still enjoy my time with the dysfunctional duo. Fabian Nicieza’s writing remains funny and enjoyable throughout, and Deadpool is still delightfully hilarious. It’s a shame the series starts turning over artists as it’s definitely not for the better, and I’m hoping Nicieza can find his footing again with telling some more interesting stories.


Marvel Comics Final Thoughts – Black Panther (2005), Vol. 3-4

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Black Panther BrideWriter: Reginald Hudlin

Artists: Scott Eaton, Manuel Garcia, Koi Turn bull

Issues: Black Panther (2005) #14-25


When I first heard that Storm had wed Black Panther I rolled my eyes. It all seemed just a bit too convenient – the only two notable African superheroes in Marveldom fall in love and get married? I’m glad I started reading Black Panther (2005) and noticed a steady improvement in the dozen issues I’d read so far, otherwise I might not have experienced one of the most touching and poignant stories of a love rekindled I’d ever read.

The impetus for Black Panther’s previous arc was to go out and find a wife (which is, uh, also the plot hook of The Santa Clause 2), and in “Bride of the Panther” he realizes his heart never left Storm’s. Their past is detailed further in a harmless retcon exploring the exploits of young lovers T’Challa and Ororo in the six-issue Storm (2006) mini-series, but even without the extra reading Reginald Hudlin does an excellent job conveying their complicated past and their feelings for each other (Storm’s adventures in Africa are detailed in Uncanny X-Men Annual #1, which is like Black Hawk Down with X-Men – awesome). I am a bit bummed that this effectively writes Storm out of the X-Men, but she’s been generally absent anyway, and frankly seems above many of the petty squabbles those teams find themselves embroiled in.

The five issue story lovingly takes its time rekindling their relationship. They fight about when they were young and dumb and Ororo’s answer to The Question is interrupted by some silly and fun comic book fights. Storm’s past relationships with Wolverine and Forge are acknowledged and addressed and Hudlin seems to have a firm grasp on Marvel continuity. Storm is even reunited with her lost grandparents (and nephew) in another touching moment. Oh and Luke Cage throws a bachelor party with Namor, Logan, The Thing and a bunch of strippers in Rio. T’challa, ever the honorable gentlemen, promptly excuses himself at the beginning to fly back into Ororo’s arms. D’awwww.

Black Panther #15

Eventually Ororo accepts (and Hudlin pulls off an honest-to-god funny mile high club joke) and she’s treated to a whirlwind of activities that’s associated with becoming Queen of a country, including a jealous neighboring African princess, shopping with fellow X-ladies and dealing with the fairly xenophobic, isolationist people of Wakanda. T’Challa and Storm get equal screen time and while there’s no real threat of danger nor villain, it’s a surprisingly fun and sweet storyline.

Unfortunately for our newlyweds, Civil War hits around the same time. Tony Stark and Steve Rogers are both invited to the wedding and both leave when they see each other, and the next two story arcs are tied into the ongoing Civil War event.

“World Tour” takes our new power couple to various diplomatic meetings around the world (and beyond) as they visit Dr. Doom in Latveria, Namor in Atlantis and even the Inhumans on the moon. Their last meeting takes them to America where they try and discuss the Superhuman Registration Act, but when they try to make Storm register (as she’s American) things go South and Iron Man and Black Panther end up having a scrape.

Black Panther #21Tensions are diffused when Black Panther ends up saving James Rhodes’ life but T’Challa and Ororo agree to stay in the U.S. to try and deal with the upcoming war. Given how big of an asshole Stark is it takes about two seconds for our heroes to side with Captain America, first unofficially and then getting directly involved and instrumental in helping the rebels in the final battle.

In fact, issue #25 takes place directly during the events of the final issue of Civil War, including a different fight scene from the final battle – Storm vs Thor clone! It ties in nicely to the Civil War continuity by adding some fun extra scenes, but it’s definitely not required reading, and I felt the globe-trotting “World Tour” issues were a bit more fun than the latter “Foreign Affairs” direct Civil War tie-ins.

Hudlin’s improved immensely as a writer and I have a keen grasp on who T’Challa is. Scott Eaton’s artwork is also fantastic (Storm has never looked sexier and T’Challa is chiseled from pure obsidian) but unfortunately he drops out during the Civil War tie-ins in issue #20. Manuel Garcia does a fine job but the art takes a noticeable nose dive with the last two issues as a third artist is brought in.

I’d never thought a storyline about two superheroes getting married and dealing with the political ramifications would become one of my favorites, and I hope that T’Challa’s and Ororo’s loving relationship continues to be highlighted and strengthened throughout their adventures.

Black Panther #25


Marvel Comics Final Thoughts – New Avengers (2005), Vol. 4-5

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

new avengers #16 coverWriter: Brian Michael Bendis

Artists: Steve McNiven (#16), Mike Deodato (#17-20), Howard Chaykin (#21), Leinil Francis Yu (#22), Olivier Coipel (#23), Adi Granov (#24), Jim Cheung (#25)

Issues: New Avengers (2005) #16-25

If you were looking for a series heavily mired in ongoing Marvel continuity and events, I’d be hard-pressed to recommend anything before New Avengers. Writer Brian Michael Bendis has been instrumental in ushering in the age of events that has dominated Marvel comics for the last decade, and New Avengers was his main ongoing series that picked up after “Avengers Disassembled,” leading through the events of Civil War and Dark Reign and culminating in Siege.

The first three story arcs (see Final Thoughts – New Avengers, Vol. 1-3) set up the reason for the new team and gave them some room to stretch and grow. The next two arcs – Volume Four’s “The Collective” and Volume Five’s “New Avengers Disassembled,” are very reflective of the state of the Marvel universe, and would be incredibly confusing for anyone that wasn’t also keeping up with other trades and series.

Thankfully I’ve been diving into Marvel comics whole-heartedly. “The Collective” finally answers the question that was posed at the end of House of M – If so many mutants lost their powers, where did all that power go? Turns out they were all absorbed by a quiet mutant living in Alaska. Michael Pointer had no idea he was a mutant – his power was to absorb other powers (Like Rogue I suppose) and he had never lived near any other mutants.

The resulting influx of millions of mutant powers makes him an energy being of god-like power, and he destroys his poor hometown and everyone in it in a sudden rampage. Alpha Flight is called in to stop him as he travels through Canada to America, and he promptly wipes them out (Which begets a new team called Omega Flight at the end of Civil War). The Avengers are called in to deal with them, as well as some guest stars like Ms. Marvel. Most of the story is spent simply keeping him at bay (mainly using Sentry’s equally god-like powers) while they figure out just who the hell he is, and the mystery and reveal is quite cool.

new avengers #18

The combined mutant powers eventually leave Pointer’s body and enter’s Magneto, now powerless and writing his memoirs in the ruins of Genosha. I’ve mentioned previously that I’ve enjoyed Magneto’s older post-war attitude, so it’s fitting that he fights the possession every step of the way. It all ties back into Xorn, which is the overly confusing and frankly terrible plot web that tangled up the X-Men just before the era I returned to in Marvel continuity (circa 2004).

Thankfully it’s handled much better here – Magneto/Xorn raises the dead bodies of mutants while our New Avengers battle them in an epic climax. Agent Daisy Johnson (whom is apparently Skye in the Agents of SHIELD TV show) is brought in by SHIELD to cause a localized quake in Magneto’s mind, ripping Xorn from his body. Sentry then hurls the energy ball into the sun. Does this effectively destroy the last vestiges of all those lost mutant powers? Either way it was a fun, action-packed story and neat way to tie into a dangling thread from House of M.

new avengers #23On the other hand the “New Avengers Disassembled” story arc is nothing more than a series of single issue tie-ins that attempts to shed some background light on some of the team members during the events of Civil War. Each issue is drawn by different artists with very different art styles, so it’s a bit jarring to read them one after the other. The five issues serve as one-offs for Captain America, Luke Cage, Spider-Woman, Sentry and Iron Man. Luke Cage and Spider-Woman were the best; Cage and Iron Man have a deliciously tense discussion over the Superhuman Registration Act (Luke Cage would go on to join Captain America’s resistance team), while Spider-Woman’s personal arc with Hydra fits nicely for a one-off adventure where they try to openly recruit her – and her answer involves driving a speedboat away from an explosion.

The Civil War stories are a good example of when an event completely stalls another series. While the event itself is fantastic, New Avengers definitely suffered and was hamstrung into doing side stories with little to no actual plot development. In my perusal of more than half the Civil War tie-ins, it was definitely one of the worst.

However, I do look forward to the new world order that’s created after that massive event as Tony Stark creates his own officially government sanctioned Avengers team in Mighty Avengers, while New Avengers continues on as an underground resistance still fighting the good fight.

Marvel Comics Final Thoughts – Civil War

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

Civil War #1Writer: Mark Millar

Artist: Steve McNiven

Issues: Civil War #1-7*

*I also cover the following tie-ins: Iron Man: Civil War, Civil War: Thunderbolts, The Amazing Spider-Man: Civil War, Civil War: Choosing Sides, Civil War: The Confession


“Was it worth it?”

In the excellent one-shot issue Civil War: The Confession, written a few months after the main events of Civil War, Tony Stark visits Captain America on the helicarrier and spends about a dozen pages trying to justify why he did what he did, eventually breaking down crying. The last panel reveals that Stark had been talking to the body of the murdered Steve Rogers, and he quietly sobbed the reply that Cap had asked him when he was first arrested – “It wasn’t worth it.”

Civil War marked a huge turning point in Marvel comics production. While House of M successfully pulled together many of Marvel’s heroes and included numerous tie-ins, it had the distinct advantage of taking place in an entirely different reality (though it did have long-lasting consequences).

The events of Civil War built upon the longstanding X-Men plot hook of the Mutant Registration Act, only this time applying it to all costumed superheroes (and oddly enough leaving the X-Men pretty much out of it). A young group of reality TV starring superheroes attack a villain hideout, only to get in over their head when they try to apprehend Nitro near a school. Nitro unleashes his explosive attack, killing hundreds of innocent people, including dozens of kids.

The public is understandably outraged in the wake of this tragedy and the Superhuman Registration Act, which requires all super-powered people to officially register with the government (divulging their secret identity among other things) swiftly passes through Congress. Tony Stark had seen this coming in his crossover with Amazing Spider-Man (see The Road to Civil War) and tried to fight it, but with public and political opinion so strongly swayed he immediately decides to switch gears and become the leader and figurehead for registration in an attempt to make the transition as easy as possible.

Captain America is not so easily convinced it’s a good thing, and believes the Act is a gross infringement on the civil rights of superheroes. In the first issue he escapes the SHIELD helicarrier and becomes a wanted man. Soon he gathers together a resistance formed of many of his allies in the New Avengers and Young Avengers to create an underground rebellion, and the core of Civil War is about the two opposing sides.

Civil War is unique among my Final Thoughts as the one TPB and event that I’d actually read before. The story of Marvel Ultimate Alliance 2 depicts most of Civil War (albeit with a much different final act) and as someone that’d been out of the comic loop for awhile I was interesting in reading about it. I was fairly lost on many points – why is Thor a robot clone, who are the Young Avengers, where are the X-Men, why is Tony Stark such a dick, etc. But as a single seven issue event, it does tell an epic, heart-wrenching story about friendship, politics and the horrors of war.

Re-reading it this many years later and armed with all the rapid comic knowledge I’ve acquired has been immensely rewarding. I get a better understanding of where Stark’s coming form (though he still comes off as a cocky, manipulative jerk in the main story) and I recognize many of the faces that show up to the big battles.

Civil War #6

There are only two direct battles in the main story; the first has the anti-registration team stumbling into a trap set by Stark, and Goliath is killed by Stark’s and Mr. Fantastic’s secret weapon – a clone of Thor called Ragnarok. Many are horrified by the events of that battle (which spans issues #3 and #4), and Sue Richards suddenly switches sides and protects them with a forefield so they can escape. The Fantastic Four are split down the middle as Sue and Johnny flee to join the resistance, while Reed remains a major player for the pro-registration side, designing a prison in the Negative Zone to house all the captured superheroes and villains.

The biggest side-switcher in the conflict is Spider-Man. In the events leading up to Civil War it’s clear he wants to help Stark fight it, and when Stark decides to join up Parker follows suit with his Stark-built spidey-suit. Tony convinces Peter Parker that unmasking on national television would galvanize both the public and the superpowered community into supporting registration, so Spider-Man finally reveals himself as Peter Parker in a memorable scene at the end of issue #2.

Unfortunately this reveal pretty much ruins his life, which is detailed in the excellent Amazing Spider-Man tie-ins. He and his family (Aunt May and Mary Jane) are attacked by mobs of people (both fans and protesters). J. Jonah Jameson blows a gasket and The Daily Bugle sues him for millions. Aunt May is shot and put in a coma. Parker makes Stark take him to the Negative Zone prison, and he’s horrified to learn that they’re imprisoning people permanently for not registering (plus, Reed and Tony are making billions in government contracts).

civil war spider-man editAll this adds up and Peter Parker switches sides, battling Iron Man (after fighting Cap earlier in a fun one-on-one melee) and going on the run before sneaking onto national television to declare his new intentions. I was originally going to skip the Spider-Man tie-ins, as the Spider-verse has a fairly dense continuity and I’ve honestly never been a big spidey-fan, but Civil War really gives him plenty of room to shine and squirm, and he becomes the defacto protagonist trying to do the right thing during a war with terrible things happening on both sides. Even if you’re not a Spider-Man fan, I would highly recommend reading his Civil War tie-ins (including the issues leading up in Road to Civil War) to get a bigger picture of the whole event.

The main trade ends with the epic final battle between the two sides. Cap and company get inside the Negative Zone prison thanks to Black Panther and Punisher sneaking into Stark and Baxter buildlings. Tigra had been spying on the rebels for Stark, so they were there to meet them, but Cap pulls his own ace in the hole, and Hank Pym (Yellowjacket) reveals that he’s been a shape-shifted Hulkling all day, and was able to free everyone that was imprisoned. The giant slug-fest we’ve been waiting or is unleashed in the final issue, but when Cloak tries to teleport everyone out of the prison, he drops them in the middle of New York City and the resulting battle causes widespread collateral damage – exactly the catastrophe this new registration was working to avoid.

Lots of cool little fight scenes break out: Spider-man is faster than Mr. Fantastic, Invisible Woman fiercely retaliates against Taskmaster when he shoots Reed, Iron Man punches Human Torch in the face, Captain America is beaten up by nanite-controlled supervillains consisting of Lady Deathstrike, Venom and Bullseye, Namor shows up with a bunch of atlanteans to even the odds for the resistance, Vision punches Iron man through the chest while Hercules smashes the Thor clone.

civil war #7It finally ends just as Cap is about to deliver the final blow to a disabled and broken Iron Man. A bunch of civilians tackle Captain America to the ground and beg him to stop. Cap takes a look around at the devastation this war has wrought and weeps, surrendering to nearby authorities and putting an end to the war. In fighting for the values and rights of the people he recognized that it was a costly battle, and he was unwilling to pay the price in innocent lives. It’s a poignant, heart-breaking end as Iron Man’s new Initiative comes to fruition – a registered super team in all fifty states.

Like House of M, Civil War had a massive impact that rippled throughout the Marvel Universe for years to come. The New Avengers series kept going, but centered on the surviving members of the anti-registration resistance who continued to operate in secrecy, while a new official Avengers team was launched in Mighty Avengers. New registered superhero teams would be trained in Avengers: The Initiative. Captain America would be shot and killed a few months after his arrest, though his fantastic solo series would continue on as friends and allies help take up the mantle. The ex-villain Thunderbolts would be gutted and reconstructed as an official supervillians-working-for-superheroes team (with interesting ramifications in the future).

The massive one-shot issue Civil War: Choosing Sides acts similarly to Decimation: The Day After in launching many of the new series in the emerging era, including Irredeemable Ant-Man, Immortal Iron Fist and a new Canadian team to replace Alpha Flight (which was slain during the events of New Avengers Vol. 4) – Omega Flight (which ran for an embarrassing five issues). Oh, and also a randomly funny story involving Howard the Duck trying to register. It was a fun one-shot that was made up of several different stories written and drawn by different people, serving as a nice springboard to multiple new series.

Another massive one-shot issue was written at the end of Civil War, called The Initiative. Like Choosing Sides this comic also included a lot of mini-stories introducing the new teams that emerge from the Superhero Registration Act – namely Omega Flight, Thunderbolts and Mighty Avengers. These one-shot issues helped cement Marvel’s new era of massive events as global game-changers to the status and situations of every character and series.

civil war the initiative omega flight

I really enjoyed the event itself, and many of the tie-in issues cleverly incorporated interesting background information or side-plots. But other series suffer for it as their own plots are sidelined to deal with the events of Civil War, such as the first few issues of The Death of Captain America trade and the official Thunderbolts tie-ins (which centers around Baron Zemo’s team of reformed villains working with Iron Man to capture heroes). Iron Man’s two-issue solo tie-ins are similarly pointless, though they do paint a slightly better picture of Tony as a conflicted man rather than a self-imposing asshole (the TPB also includes The Confession, which is amazing). I also had to skip some tie-ins just for the sake of my own sanity, including Wolverine’s solo series tie-ins (can’t stand that manga/cartoony art style) and a mini-crossover between Young Avengers and Runaways.

Plus, my beloved X-Men aren’t anywhere to be found, other than a single brief scene where Tony Stark visits the X-Mansion and tries to get them to help (there is a mini-series tie-in that shoehorns them in involving Bishop, which I skipped). Being used to hunted and hated Emma Frost quickly refuses, but agrees to remain neutral in the conflict (and they’re still pretty much licking their wounds from the Decimation). It makes sense for the x-Men to stay out of it, and frankly the war is full of enough superheroes as it is, but as a big X-Men fan it’s still a bummer, and forever makes Civil War just not as interesting to me as other events and stories that star my favorite mutants.

civil war the initiative

Civil War was a massive critical and commercial success. The storyline was recognizable and very human – civil rights and the endless debate between freedom and security. It lasted over half a year beginning in the Summer of 2006 and, according to Marvel Unlimited, including nearly 100 official tie-in issues from nearly every ongoing series at the time. The age of events was here to say, and has continued on in varying degrees of great to horrid in the years since. Civil War is still considered one of the best events they’ve ever done, and clearly important enough to even warrant its own big screen adaptation in the upcoming third Captain America film.


Marvel Comics Final Thoughts – The Road to Civil War

Thanks to Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

road to civil war coverWriters: Brian Michael Bendis, J. Michael Stracynski

Artists: Alex Maleev, Ron Garney, Mike McKone, Tyler Kirkham

Issues: Amazing Spider-Man #529-531, Fantastic Four #536-537, New Avengers: Illuminati

Though House of M had several tie-ins and shook up the world for mutants and X-Men, it was Civil War, Marvel’s next big event that hit in the Summer of 2006, that really became the premiere Marvel crossover event, with just about every single ongoing series having an appropriate tie-in or story arc.

With big events comes big responsibility, er, numerous trade paperbacks. Marvel knew they had a grand story to tell and planted some early seeds of the Superhuman Registration Act in New Avengers and other series. The Road to Civil War is a stand-alone trade paperback that collects three issues of Amazing Spider-Man, two issues of Fantastic Four and a special one-shot issue called New Avengers: Illuminati (which would later become a limited series).

Though I’ve recently become quite the Marvel connoisseur (see, um, all these Final Thoughts on my blog) I actually haven’t read two of Marvel’s most famous and longest-lasting series, Spider-Man and Fantastic Four. Jumping into Amazing Spider-Man wasn’t too harsh – after all Spider-man is a member of the New Avengers (at the time). In issue 529 Tony Stark builds our friendly neighborhood sass machine a custom spidey suit with all kinds of fancy cybernetic enhancements, including four additional arms! All Stark wants in return is for Peter Parker to become his right-hand man in the political storm that’s brewing in Washington D.C. – the Superhuman Registration Act.

What follows is a nifty little arc where Mr. Stark and Mr. Parker go to Washington for a Senate hearing, discussing the pros and cons of forcing masked superheroes to reveal their identity to the world and be held accountable for their actions (like for example, all the property damage their battles cause). The lengthy scenes have all the potential of being long-winded and heavy-handed but Brian Michael Bendis does a superb job making good points on both sides and generally making the actual politics interesting rather than hand-waving.

ASM #530

Of course since it’s a comic as soon as they walk outside they’re attacked by the Titanium Man, a Russian mercenary in his own fancy suit, and Tony flees while Spidey battles the surprise attack. At the end it’s revealed that Stark actually paid the Titanium Man for the attack to remind everyone why superheroes are important, and Parker begins to doubt his trust in Tony.

In New Avengers: Illuminati Stark visits the secret organization that was first revealed back in New Avengers – a clandestine meeting of the world’s most powerful superpowered leaders: Dr. Strange, Mr. Fantastic, Black Bolt, Namor and Professor X. The extra-long one-shot issue dives into the murky past of the Illuminati, including their formation after the Kree-Skrull War. Fascinatingly the whole comic adapts a very retro 70s/80s art style and actually sticks with it throughout (despite catching up to modern events leading to Civil War). It works quite well and lends the story an air of authenticity.

When the group is first formed they invite Black Panther to join, but he instantly refuses, being the only one to have the foresight to see where this collusion will lead to. The group meets again to discuss shipping off Hulk into space after a particularly violent battle – which is a fun way of tying together the beginnings of “Planet Hulk,” the major storyline that takes over the Incredible Hulk series throughout Civil War. Namor has a huge problem with this agreement to simply get rid of the Hulk and ends up fighting Iron Man and leaving the group in a huff. I’m unfamiliar with Namor other than he was the very first Marvel superhero and thus far all I’ve learned is that he’s a huge asshole.

Our secretive leaders meet again to discuss the Superhuman Registration Act, and Stark suggests moving in front of it to support it so it doesn’t get out of hand. He also has the creepy foresight to predict almost exactly what ends up happening in the actual Civil War storyline, including a masked hero attacking a villain near a school and causing a horrific number of casualties. That part gets a bit heavy-handed but it’s still fun seeing this group of major players in the Marvelverse come together and discuss the big issues (as well as squabble amongst each other). Dr. Strange leaves, Namor curses them all while Mr. Fantastic supports Stark. The lines are being drawn and it’s a cool way of leading to Civil War.

The two Fantastic Four issues are much less of a direct tie-in than the others. The story revolves around Thor’s hammer crashing to Earth after the “Ragnarok” events in Thor, which I’m wholly unfamiliar with (I can only read so many comics!). The Fantastic Four are called in to investigate but Dr. Doom shows up with a legion of Doombots to stake his claim. Apparently he was in hell last we saw him, and hitched a ride when Mjolnir ripped through space on its way to Earth. For being completely lost on the goings-on of the Fantastic Four it was a pretty decent little story with lots of action and Doom chewing up the scenes as he does so well. How it ties into Civil War I haven’t the foggiest idea, other than further explaining what the situation is with Thor at the time.

The entire trade is ancillary reading to Civil War but it does provide a lot of nice background information, especially on Spider-Man leading up the grand event. If you have Marvel Unlimited I would definitely recommend reading the Amazing Spider-Man issues but as a whole the trade is only okay as a tie-in, and harmless fun as an overall collection of comics.

FF #537 edit