Marvel Comics Final Thoughts – Avengers: The Children’s Crusade

The Young Avengers go on a hunt to find the Scarlet Witch, who hadn’t been seen since the devastating events of Avengers: Disassembled and House of M.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

marvelWriter: Allan Heinberg 

Artist: Jim Cheung

Issues: Avengers: The Children’s Crusade #1-9

 

Avengers: Disassembled in 2004, followed by House of M in ’05, kicked off the modern Marvel era of story-telling. Big events, major character deaths (which were never permanent but hey), and years-long fallout and regime changes became the norm.

I dig it quite a bit, despite lots of missteps. But Avengers: The Children’s Crusade represents a lot of what annoys me with Marvel comics – time-travel, retcons, and do-overs that let them “fix” any formerly awesome scenes and situations that had years-long revelations. In this case, the sobering saga of the Scarlet Witch.

I’ll give credit to Marvel for at least not doing this story like a year or two after House of M. Instead we were treated to a whirlwind of cascading events, and the Scarlet Witch was mostly forgotten about, though her “No More Mutants” legacy forever altered the X-Men.

In this special nine-issue limited series that ran from 2010 to 2012, Allan Heinberg and Jim Cheung brought Scarlet Witch back to the forefront using the Young Avengers. Continue reading “Marvel Comics Final Thoughts – Avengers: The Children’s Crusade”

Marvel Comics Final Thoughts – X-Men: Second Coming

Cable and Hope return to the present in this explosive, awesome climax to the past 2+ years of X-Men titles and stories.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

X-Men Second ComingWriters: Mike Carey, Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells

Artists: David Finch, Terry Dodson, Ibraim Robertson, Greg land, Mike Choi

Issues: Second Coming: Prepare, X-Men: Second Coming #1-2, Uncanny X-Men #523-525, New Mutants #12-14, X-Men: Legacy #235-237, X-Force #26-28*

*Also read the Second Coming Revelations trade, which includes X-Factor #204-206, X-Men Second Coming Revelations: Blind Science, X-Men: Hellbound #1-3

 

“You’ll feel it, Hope. Like nothing you’ve ever felt before. It’l be like a switched turned on inside you. Like a fire. And once that fire’s lit…everything will change.”

Remember how much I gushed about how awesome the mega crossover X-Men event Messiah Complex was? Well the two-years in the making sequel, Second Coming, makes that look like crap. Which is to say it’s bloody amazing.

X-Men: Second Coming finally brings Hope, the young mutant messiah, back into our timeline. At the end of Messiah Complex Cable took the first mutant baby born since M-Day forward into the future to escape danger (even though just about every future scenario is super dangerous). Bishop, on a quest to prevent his own apocalyptic future, hunts them down through time. What followed was a pretty nice two year arc of Cable as a tough-love dad with Hope growing up knowing only war, danger, and survival.

Meanwhile with Xavier’s school destroyed, the X-Men relocated to San Francisco. Then when shit hit the fan, Cyclops moved everyone to the island of Utopia – arisen from Magneto’s old Asteroid M that had crashed into the ocean (Namor is a useful ally to have around).

Cyclops, who’s grown into a real wartime general that makes even Magneto bend the knee, also restarts X-Force as a mutant black ops group, tasked with trying to kill the bad guys before they can do more harm. It was a very bloody, very violent series with some spiffy art.

And at some point Marvel started up a mostly unnecessary but surprisingly decent New Mutants series. All of this means that X-Men: Second Coming, like all X-Men stuff is densely mired in continuity and current events. This makes it both off-putting for anyone trying to jump in, but rewarding for fans following the X-Men’s dire saga in the last few years. I’m in the latter camp, so I absolutely loved it. Continue reading “Marvel Comics Final Thoughts – X-Men: Second Coming”

Marvel Comics Final Thoughts – X-Factor (2005), Vol. 8-9

X-Factor’s major time-traveling tale comes to a satisfying conclusion in Vol 8, while 9 brings in a fun new artist and direction.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

X-Factor Vol 8Writer: Peter David

Artists: Valentine De Landro (Vo. 8), Bing Cansino (Vol. 9)

Issues: X-Factor (2005) #46-50, 200-203

 

I really wish I had read Volume 8 when I last read X-Factor, as it’s the climax and finale to a very long story arc. It involves time travel and had everyone in specific situations that made it a tricky point to jump back into.

Still, this is one of my favorite comics we’re talking about, and it didn’t take long to get re-acclimated to my favorite super-powered team.

Volume 8 leads to a satisfying conclusion with a fun villain reveal and even more drama for our time-displaced lovers Jamie and Layla, while Volume 9 kicks off a new art style and story direction for X-Factor that breathes in some refreshing changes while thankfully keeping the same great writer and themes. Continue reading “Marvel Comics Final Thoughts – X-Factor (2005), Vol. 8-9”

One Year with Marvel Unlimited: My Top Ten Comics (2004-2009)

After my first year with Marvel Unlimited, I list my top ten favorite comics between 2004-09.

marvelunlimited

In December of 2014 I tried out a month-long trial version of digital comic subscription service Marvel Unlimited. I immediately fell in love with the speed and voracity with which I could devour decade-old comics at a fraction of the price. I quickly signed up for the full year-long subscription.

For my birthday in July I received an iPad, which further solidified my love of the digital format. I still prefer physical media for just about everything else (and have since still purchased many collected volumes and trade paperbacks), but comics work beautifully on a tablet.

If you’ve been reading my blog for any length of time, you know that I read quite a bit of comics and write my thoughts about them here. I started at the beginning of the modern age of Marvel, defined by the era of major events beginning with “Avengers Disassembled” in 2004. In the last year I’ve made it through approximately four years of comics, through the Dark Reign period of 2009 – though I’ve clearly had to pick and choose which series and characters to cover.

For a full list of all the comics I’ve written about, see the Comics section at the top of the page. As a fun anniversary post I listed my favorite comics I’ve read in the last year below, covering that 2004-09 era. Continue reading “One Year with Marvel Unlimited: My Top Ten Comics (2004-2009)”

Marvel Comics Final Thoughts – X-Factor, Vol. 6-7

The Secret Invasion tie-ins are awful but the rest is amazing, and X-Factor remains one of my favorite comics to read.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

x-factor volume 7Writer: Peter David

Artist: Larry Stroman (#33-36, 38), Valentine De Landro (#37, 39-45)

Issues: X-Factor #33-45

 

You know that TV show you love? The familiar characters that feel like long lost friends or a second family. The zany situations and clever callbacks that reward viewer commitment. The perfect blend of drama, comedy, and action.

I’ve read a lot of comics since subscribing to Marvel Unlimited digital service and I think I’m ready to declare that Peter David’s X-Factor is my favorite series to read.

As much prepared praise as I have for Volume 7, Volume 6 is actually quite terribly. Half Secret Invasion tie-in and half bringing in new characters in a regurgitated plot of bad guys experimenting on mutants, Volume 6 is also cursed with some of the worst art I’ve ever seen. Characters look like deformed alien monkeys with zero adherence to proportion or skeletal structure. It’s distractedly awful and even a stellar story would struggle to climb its way out of that mess.

The story is less than stellar. Thankfully the Secret Invasion tie-ins are only two issues long, as well as pointlessly crossing over with an issue of She-Hulk. I think it literally boils down to a random street fight with a single skrull.

It does introduce two new X-Factor members – dimensional playboy Longshot with his nebulous probability powers, and the constantly evolving Darwin fresh off the X-Men’s space adventures. Both end up as surprisingly neat characters in David’s capable hands, but in the immediate story following event tie-ins Darwin is captured and the rest of the team are hired to rescue him. It’s familiar ground that the comic has disappointingly tread before in the Complete Collection Volume 1, and wraps up all too easily.

x-factor #39It’s pretty rare for any story to go from its lowest point immediately to its highest, but that’s exactly what happens between Volumes 6 and 7. Syren is pregnant with Jamie’s baby from a drunken tryst during the Complete Collection Volume 2 that may or may not have involved one of his duplicates, and her water breaks right at the end of Volume 6.

In Volume 7, “Time and a Half,” the team rushes to the hospital for the dramatic birth. There’s an intriguing side story with Val Cooper of the O.N.E. trying to protect them. The mutants of X-Factor are understandably resentful of her involvement and fear for the baby, and once again David turns a seemingly minor throwaway character from a different comic into an interesting cast member.

Turns out the one they needed to fear was Madrox himself. In a supremely dark twist, Madrox holds his son for the first time only to absorb him like he does all his dupes. The baby was really the child of a dupe! Syren completely flips out and attacks him and the drama surrounding the event is deliciously crazy and awesome. Madrox’s unique powers and multiple personalities is fascinating, and together with his noir-ish inner monologue make Madrox one of the most compelling characters in Marvel comics.

Madrox reaches a low point and becomes suicidal as he leaves the team to search for a dupe he’d met earlier in the series (another awesome callback). John Madrox represents a life Jamie doesn’t have – a community leader and a loving family. Just when Jamie prepares to off himself, who should show up but the future-flung former member of X-Factor – the teenage psychic Layla Miller, now all grown up.

x-factor #42Layla (who’d teased earlier in the series that they’d be married some day), brings Madrox to the dystopian future of the Summers Rebellion. It picks up a lot of pieces from the Lalya Miller One-Shot but also acts decently on its own, considering there’s about four other stories happening concurrently. Syren and Val have a heart-to-heart girl bonding session over miscarriage. Guido and Rictor visit John Madrox only to be attacked by a mind-controlled Shatterstar. Darwin and Monet guard a new client who’s worried someone’s trying to kill her.

All the plot threads start coming together in a cool way, involving yet another mutant-targeting organization, but at least this one seems to tie in tons of previous events as well as drawing everyone together despite their different situations – and in some cases, timelines.

I say “seems to” because Volume 7 actually ends at a cliffhanger, to be resolved  in Volume 8. I try to organize these Final Thoughts so I’m not trying to cram too many issues in one write-up, but it was really hard not to sprint ahead and read Volume 8. Volume 7 had so many incredible moments and big plot-centric payoffs, and a big reason for that is maintaining the same comic show-runner throughout its run.

X-Factor has that perfect balance of soothing familiarity and exciting changes, all of which have been fantastic. My advice: skip Volume 6, “Secret Invasion” but read everything else, because X-Factor is nothing short of amazing.

x-factor #43

Marvel Comics Final Thoughts – X-Factor: The Complete Collection Vol. 2

This second volume ends up as a mixed bag, faltering in the middle but then ending with a fantastic story at the end, giving me high hopes for X-Factor’s future.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!


x-factor volume 2Writer:
 Peter David

Artists: Pablo Raimondi (#13-17, 21-24, 28, 31, The Quick and the Dead), Koi Pham (#18-20), Valentine De Landro (#29-30, 32, Layla Miller)

Issues: X-Factor #13-24, 28-32, X-Factor: The Quick and the Dead One-Shot, X-Factor: Layla Miller One-Shot

 

X-Factor’s first twelve issues, collected as The Complete Collection Vol. 1 was a resounding success. Peter David’s quirky team is immensely varied and entertaining and the overarching plot of the mysterious and evil corporation that exploited mutants provided a great hook and a satisfying conclusion.

The team’s adventures continued in a second large collected volume, though it awkwardly includes issues before and after the major X-Men crossover event Messiah Complex. In the “Many Lives of Madrox,” (#13-16) Jamie continues his quest to reabsorb the numerous dupes he’s sent out in the world. Many of have them have been living varied lives for years, including a SHIELD agent that gets Jamie captured by Hydra, with hilarious results.

My favorite duplicate had carved himself a nice quiet life as a pastor with a wife and two kids, and Jamie’s sudden intrusion into this life creates some lovely drama. Ultimately Jamie makes the right decision to let it be, but the implications that his dupes have created these meaningful lives is part of why I find his mutant power and his personality so interesting.

x-factor #16There’s also an ongoing side story involving the rest of the team and X-Cell, a mutant terrorist group full of ex-mutants, and that story hits center stage in the next arc, “X-Cell” (#17-20). Quicksilver joins up with the leader to start handing out his power-restoring terrigen crystals he stole from the Inhumans in Son of M. The plot eventually reaches its climax as X-Factor attacks them to rescue Rictor and Layla (the latter doesn’t really need rescuing, she knows stuff).

There’s a few fun battles but straight-forward action has never been X-Factor’s strong suit, and unfortunately the art takes a huge nose dive when a different artist takes over (thankfully only for that arc). It’s fun seeing Rahne/Wolfsbane go full berserker wolf-mode, though.

In “The Isolationist” (#21-24), X-Factor is approached by a mysterious figure known as Josef Huber, an isolated telepath that takes drug to quiet the voices in his heads. Oh, and apparently he has every mutant power. He wishes to put mutants on the endangered species list, forcing the government to protect them and possibly overturning the superhero registration act. In reality he just wants to gather them together to kill them all, so the telepaths will no longer drive him crazy.

Huber’s a surprisingly interesting villain, and Peter David opts to write the last two issues from his perspective (with copious amounts of noir-appropriate monologuing) in lieu of a backstory, and it works quite well. Unfortunately things wrap up far too swiftly  after a lengthy build-up, and in the end Huber escapes after a brief battle with the depowered but oddly immune Rictor.

“The Only Game in Town” (#28-32) takes place after the mega crossover event X-Men: Messiah Complex. Messiah Complex is absolutely critical reading to know what the new situation is for X-Factor, namely: Jamie now has a tattooed “M” over his right eye as a souvenir from his time traveling sojourn, quirky clairvoyant Layla Miller is trapped in a dystopian future where mutants are put in concentration camps, and Rahne Sinclair (Wolfsbane) is leaving X-Factor to join X-Force.

The entire arc is put under the “Divided We Stand” era that is the X-Men and associates’ post-Messiah Complex fallout. Given that Messiah Complex is fairly integral to X-Factor’s story moving forward, it’s strange that this second collected volume would include issues all around it. Provided you’ve read it, however, this epilogue story arc is just fantastic, and really shows off Peter David’s incredible skills as a writer. The art remains fantastically shadowy and mostly consistent, despite the workload trading off between two artists.

x-factor #30 team

Since our small cast is now smaller than ever, we get even more time to delve into their lives and relationships. Siryn’s pregnant with Jamie’s child! Guido turns down the O*N*E’s job offer. Rictor is fully prepared to quit on X-Factor after Rahne quits on him. It’s delicious character-focused drama that gets interrupted when X-Factor is attacked by Arcade, who was in turn hired by the Purifier that Rictor duped to infiltrate the organization during Messiah Complex.

The team quickly comes together and goes into full on crisis mode after Arcade sets off a series of bombs while trapping all of Mutant Town in a fiery forcefield. It’s fun seeing them all react and save people, and Madrox’s ongoing (and excellent) inner monologue reinforces the fact that a crisis brings them together when they needed it most. The arc ends in an uplifting theme as they celebrate the pregnancy and leave Mutant Town before O*N*E’s Valerie Cooper can arrest or forcibly register them.

Two one-shots are also included, The Quick and the Dead and Layla Miller, both written by Peter David. The Quick and the Dead centers on Quicksilver’s incarceration and subsequent escape after the events of “X-Cell.” I’ve grown incredibly sick of Quicksilver’s self-pitying, selfish, and frankly evil behavior ever since the House of M. Seeing him having a mental breakdown in prison wasn’t exactly riveting, and the strange and sudden return of his speed powers was just confusing and weird.

x-factor #31

Layla Miller is much more interesting, but no less confusing as it takes place in the 80 year, dystopian future that Layla had become trapped in. She escapes from the concentration camp in a supremely funny and suitable manner (falling space debris!) then goes to visit future-cyborg Cyclops and his daughter Ruby. Yeah, I was lost too. Layla manages to incite an entire rebellion against the mutant-oppressive government. I’m not entirely sure if any of it matters but it’s fun seeing Layla be Layla, and I hope she can rejoin the team soon.

This second volume ends up as a mixed bag compared to the first, faltering in the middle but then ending with a supremely fantastic story at the end, giving me high hopes for X-Factor’s future. The cast is so damn likable and the writing comes across like one of your favorite comedy-drama TV shows. Still one of my favorite comic series to read.

Marvel Comics Final Thoughts – X-Men: Messiah Complex

X-Men: Messiah Complex successfully crossed over with four ongoing X-titles to give my favorite mutants their most exciting, action-packed adventure in years.

With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.

Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!

x-men messiah complex coverWriters: Ed Brubaker (One-Shot, Uncanny X-Men), Peter David (X-Factor), Craig Kyle & Chris Yost (New X-Men), Mike Carey (X-Men)

Artists: Marc Silvestri (One-Shot), Billy Tan (Uncanny X-Men), Scott Eaton (X-Factor), Humberto Ramos (New X-Men), Chris Bachalo (X-Men)

Issues: Messiah Complex One-Shot, Uncanny X-Men #492-494, X-Factor #25-27, New X-Men #44-46, X-Men #205-207

 

A baby changes everything. Sometimes a baby can even change an entire race of people. Mutants had become an endangered species since Scarlet Witch whispered those three little words at the end of House of M. With the sudden disappearance of nearly every mutant’s powers on Earth, the X-Men’s entire worldview had been shattered and they spent the next two years trying to find their place all over again.

At the end of 2007, hope finally came in the form of the first mutant to be born since M-Day, a miracle child that everyone from the X-Men to the Marauders to the Purifiers wanted to get their hands on. X-Men: Messiah Complex successfully crossed over with four ongoing X-titles to give my favorite mutants their most exciting, action-packed adventure in years.

Marvel tantalizing seeded in the prologue events to the next big X-Men event in four of their five ongoing X-Men series: Uncanny X-Men, X-Factor, New X-Men, and X-Men (Astonishing X-Men was really its own thing. Also, five X-titles at the time, holy crap). Mini-stories were included at the end of each series called X-Men Endangered Species. Endangered Species followed Beast’s desperate search for a cure through science, magic, and technology and a rotating cast of guest stars including Dr. Strange, Bishop, and even his own alternate Age of Apocalypse persona – Dark Beast. It’s a fun journey and I particularly enjoyed experiencing Beast’s mostly solo quest and inner running dialogue full of questioning and self-doubt.

uncanny x-men #492Messiah Complex’s structure was, as far I’m aware, unprecedented at the time. Instead of creating its own limited event series with a few tie-ins (as House of M and Civil War had done), The writers came together and turned their own series into one massive crossover event. After kicking things off with a one-shot issue, the next chapter was done in Uncanny X-Men, followed by X-Factor, etc, going through the four trades three times for 13 total issues (including the one-shot).

This created some major advantages and disadvantages to normal event structures. The good news is it meant instead of having a bunch of extra superfluous tie-ins, the event itself was the only tie-in, and it had a huge amount of space to breathe and develop. A 13 issue event is absolutely massive, and Messiah Complex takes full advantage of this with multiple concurrent plot threads and an enormous cast including just about all of the X-Men and many of their foes, both old and new. Plus by utilizing four different series, this epic story could be told relatively quickly as each series came out.

The bad news is it created a huge inconsistency in the art style as each of the four series were drawn and inked by different artists. This wouldn’t have been so bad if they had four artists with similar styles, but alas at least one of them uses the manga-anime-chibi style that I absolutely despise in my comics. Billy Tan and Scott Eaton both do fine jobs, but Humberto Ramos’ art is so distractingly bad (to me anyway) that I had to skim through his issues of X-Men that preceded Messiah Complex (hence no Final Thoughts for “Supernovas” or “Blinded by the Light”). Chris Bachalo’s style was an odd combination of the two, leading to an unfortunate situation where I’d either cringe or breathe a sigh of relief depending on which issue came next (the cover art done by David Finch remains fantastic throughout, however).

uncanny x-men #492 cyke prof xArt aside, the actual story-telling was an impressive feat, acting as a major climax to the steady build-up of desperation that the X-Men had been going through in the last few years. It all starts with a small town in Alaska coming under a sudden violent attack by both the Purifiers (anti-mutant cult that first cropped up as awesome villains in New X-Men) and the Marauders (Mr. Sinister’s squad of evil mutants with their own mysterious agenda). Cerebra alerts the X-Men to the first new mutant signature since M-Day, and the X-Men quickly discover that instead of the usual teenage manifestation, it was the incredibly rare birth of a mutant baby.

The baby is gone and the X-Men are left with only questions. Cyclops goes into full-on wartime consigliere mode, and there’s a particularly sobering scene where he and Charles Xavier share some tense words about leadership. Cyke is now top dog and still super pissed at Xavier after the events of Deadly Genesis and their sojourn with the Shi’Ar Empire.

He brings in X-Factor and folds in the team from the “adjective-less” X-Men series, which had been pretty much disbanded after Cable’s apparent death, Rogue’s traumatic sacrifice and capture, and Mystique, Lady Mastermind, and Omega Sentinel betraying them and joining Sinister’s team, leaving only Cannonball and Iceman to join back up with the main team. As a side note, it’s annoying how integral the adjective-less X-Men series is to Messiah Complex’s continuity, seeing as how that’s the series that was plagued with the worst art.

In fact, one of Messiah Complex’s biggest problems story-wise is just how heavily integrated into X-Men continuity it is. While this makes it a satisfying payoff to fans and readers that had been keeping up with X-Men for months if not years, it makes it a much harder book to recommend to newcomers as just an awesome X-Men story.

uncanny x-men #493 x-forceEventually the narrative takes on multiple fronts as Cyclops and the X-Men formulate a plan to find the mysterious new mutant baby that may be the key to saving the mutant race. After a few issues the X-Men learn that neither the Purifiers nor Marauders have the child, and in fact Cable is alive and on the run with the mutant baby.

Cyclops re-establishes the X-Force team, which hadn’t been seen in years. The team consists of all the best badasses and trackers from all the different teams: Wolverine, Warpath and Hepzibah (from Uncanny), Wolfsbane (from X-Factor), and X-23 (from New X-Men). They also throw in Caliban, a former Morlock and recent addition to the roster from the previous Uncanny X-Men story arc, “The Extremists” (again with the tight adherence to continuity). Caliban’s role is mainly there to die halfway through from a Purifier battle, giving a somewhat disingenuous feeling of grief and danger from a character we didn’t give two craps about.

Rictor of X-Factor infiltrates the Purifiers to find out they don’t have the child, while another group of X-Men lead by Storm attack the Marauders to discover the same thing. Once they learn about Cable’s mysterious involvement, X-Force is sent to track down him down and acquire the baby by any means necessary. While the story is broken up into the four separate books, there’s no hard separation of the characters or events; each chapter flows into the next and involves all the various groups, making all of Messiah Complex required reading for anyone keeping up with those stories.

uncanny x-men #493

Probably the most interesting, and sadly the most squandered side story is of Jamie Madrox and Layla Miller of X-Factor journeying into a dystopian future. Using Forge’s new time travel machine, they find the mutant concentration camp that Lucas Bishop first grew up in, and even have his trademark “M” tattooed over their eyes. It’s a fascinating look at a concentration camp for mutants that’s often teased in stories like “Days of Future Past,” but it’s given very little time to develop on top of everything else that’s going on, and ultimately leads to a conclusion that the reader knew ahead of the team anyway – that Bishop has betrayed the X-Men and is hunting Cable and the baby on his own.

I’ve been a big fan of the “future warrior sent to the past” shtick ever since seeing the first two Terminator films at a fairly young age. I especially dug the focus on Cable and Bishop, both from differing alternate timelines and both with personal stakes into seeing this new mutant child either alive or dead. Cable views her as the savior of all mutantkind, and knows that her only chance is to get as far away from those that would use or exploit her, including the X-Men. Bishop believes this is the catalyst from his time that sparked the genocide against mutantkind, and to prevent that he needs to do the unthinkable and kill her.

uncanny x-men #494Bishop catches up with Cable at Forge’s workshop, but he hesitates in pulling the trigger. A second later Gambit and the Marauders teleport in to steal the baby before the X-Men can arrive. They regroup and go after the Marauders, the X-Men joining up with X-Force, and it leads to a final battle royale versus too many mutants to keep up with.

Meanwhile the younger but still equally awesome New X-Men class join the fray, first in an ill-conceived fight with the Purifiers (which results in Hellion’s death). Then Pixie teleports them out of the fire and into the frying pan as they try to escape the wrath of Predator X, a dorky dinosaur-like creature that hunts and feeds on mutants.

Introduced at the end of the “Mercury Falling” arc in New X-Men Vol. 4 (hope you’ve been keeping up!), the creature is an odd wildcard thrown into the story as it hunts and kills some random no-name mutants before it makes its way to the final battle. There’s a nifty scene where Wolverine does the classic badass move of being swallowed by the creature only to claw his way out, but otherwise it’s another giant thing in an already crowded event.

In the end it’s revealed that Mr. Sinister has been Mystique for awhile, and her whole plan with the baby is to use it to restore and heal Rogue, who’s been saddled with a billion alien souls since she defeated the Hecatomb in X-Men: Supernovas. It’s also the reason love-sick Gambit has stuck with the Marauders.

The baby does wake Rogue up (and thankfully doesn’t kill or even injure the baby when Mystique presses her to Rogue’s face), and she’s horrified at the lengths Mystique went to do it. Rogue takes her down then walks away dramatically. Rogue’s been going through an interesting character arc lately as her character has become much more serious, mature, and moody. It’ll be interesting to see where she goes after these events (Gambit, too).

new x-men #46

Cable recovers the baby with the help of Professor X, who’s been unceremoniously kicked out of the X-Men at this point. The X-Men (along with X-Factor and New X-Men) are able to defeat the Marauders and Cyclops demands that Cable turn the baby over. He has a change of heart, however, as we see a flashbacks of Cyke saying goodbye to his own son, letting him be taken into the future. It echoes perfectly with what’s happening here, and even more poignant as Cable is Scott’s son.

Ultimately Cyclops lets them go, kickstarting Cable’s own solo series as he spirits the baby away to the future, and I can’t wait to read about their adventures. The X-Force also kicks off its own series with its team of ultimate badasses, and Cyclops uses them as a pretty awesome black ops mutant squad. The biggest change to the status quo, however, is the death of Professor X, as one last-ditch shot from a desperate Bishop catches him right in the head! Major characters never stay dead in comics but increasingly they do stay gone for quite some time (like, several years), as Captain America, Thor, and others can attest to. It seemed like a fitting end to his role for now, as Cyke takes his prominent (and much darker, iron-fisted) place as leader and general of the X-Men.

x-men #205 cable

Messiah Complex is by far the biggest thing to happen to the X-Men since the House of M event in 2005, and easily one of their biggest stories ever told. The action almost never lets up once it gets going, and the various characters and factions lead to a large variety in exciting battles and fight scenes, often overlapping each other in a single issue – my personal favorites being a fantastic one-on-one between X-23 and Lady Deathstrike and a huge battle with sentinels that destroys Xavier’s School.

The story is well-paced and layers in tons of satisfying arcs, provided you’ve been keeping up with the various X-Men series for some time. It’s just a huge shame that the wildly differing artists and styles creates a large disconnect between each chapter and issue. It’s a monumental feat that so much creative talent was able to come together and conceive of such an awesome story as Messiah Complex is one of the greatest crossover achievements in X-Men history.

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