With Marvel’s popular and successful foray into films with the Marvel Cinematic Universe, I’ve finally decided to get back into comics. I grew up a big fan of X-Men and other superheroes but haven’t really kept up since the 90s. Thus begins my grand catching-up of the last ten years of Marvel comics, events and stories.
Thanks in large part to trade paperbacks and the digital convenience of Marvel Unlimited I can make relatively quick progress, and I’ll write down my Final Thoughts for each collection here on my blog. Like my gaming Final Thoughts, this will be full of spoilers. You’ve been warned!
Artists: John Cassaday, David Finch, Ed McGuinness, John Romita, Leinil Francis Yu
Issues: Fallen Son: The Death of Captain America #1-5
Captain America’s famous death at the end of the superhero Civil War presents a bit of a tricky problem in the way I organize my Final Thoughts. I typically read a collected Volume (or several) or omnibus of a single series, then write about it.
The problem is that Cap doesn’t actually die at the end of Civil War – he’s arrested after he willingly surrenders to prevent more devastation. A few months go by in Early 2007 before his trial in Captain America #25, and it’s there that he’s gunned down by a combination of Crossbone’s sniper rifle and a brainwashed Sharon Carter. That crucial issue is part of a massive collected omnibus (also titled The Death of Captain America) that begins with issue #22 (Cap’s Civil War tie-ins) all the way to #42, which covers nearly two years.
Thus I would either have to break up that omnibus into multiple Final Thoughts, or wait and talk about Cap’s important death far into the future. Neither are great options. Thankfully the solution presents itself quite nicely in the form of this lovely limited series.
Fallen Son was written as a tribute to Steve Rogers’ legacy, allowing some of the biggest heroes in Marvel to reflect and deal with his tragic death in their own ways. Each of the five issues includes a different artist, showcasing a myriad of styles (from fantastic to okay). Each issue was cleverly written to represent the classic five stages of grief: Denial, Anger, Bargaining, Depression and Acceptance.
“Denial” stars Wolverine (perfect!) who just can’t believe Cap is really dead. With the help of Dr. Strange’s magic, he and Daredevil infiltrate the SHIELD helicarrier, interrogating Crossbones and finally seeing Cap’s body for themselves. The reeling New Avengers and newly formed, government-sanctioned Mighty Avengers crossover in the interesting “Anger” issue. Most of the issue is constructed with the two very different stories going on side-by-side, as each group supposedly works through their emotions. Iron Man’s team fights off Tiger Shark and a bunch of sea monsters, while the New Avengers tackle a less action-packed but far more intriguing poker game that nearly comes to blows between the arguing heroes.
Spider-man leaves the group in a huff, segueing nicely into the fourth issue where he visits a graveyard; all his personal losses come bubbling up in a fantastic rain-soaked cemetery. The only one that really fell flat for me was the third issue, “Bargaining,” which stars a recently resurrected Hawkeye as Iron Man offers him the job of wearing the shield and uniform of Captain America. It crosses over with some of the super lame Young Avengers and the art is the worst of the bunch.
The final issue pays off in the form of Captain America’s funeral, an impressive set-piece in Washington D.C. filled with most of the winning side of the war. Falcon, Cap’s longtime partner, gives a stirring speech that lasts nearly the length of the issue, cutting away nicely to various famous scenes of Captain America, both old and new. Tony Stark meanwhile continues to look like a complete and utter asshole, event when he’s supposed to be remorseful and guilt-stricken.
The death of a major character isn’t exactly treading new water. It’s happened countless times and become a bit of a running joke. Still, Captain America is just about the highest-profile character that Marvel had targeted in some time, and his death is treated with all the emotional gravitas and status-quo altering implications you would expect. It flows out naturally from Civil War and helps set the state of the fear-mongering, government-controlled era in the Marvelverse that would persist for the next three years (Cap himself comes back in two, still an impressively long time for any hero).
Civil War is about as required reading as you can get, and Fallen Son acts as both a wonderfully somber epilogue to those events, as well as a fitting tribute to one of Marvel’s greatest all time heroes. Rest in Peace, Cap.